ADR - Episode 548: Jurassic Park Analog Horror 2

[00:00:05] Hello and welcome to Adente Rigamortis. I'm Review Cultist.

[00:00:22] And I'm the Gamer in Yellow.

[00:00:24] And we're here to discuss those internet stories most creepy, most pasta, and most analog.

[00:00:29] For tonight we have another Analog Horror Theater.

[00:00:34] And we are continuing with the trend of Jurassic Park Analog Horror. Part 2.

[00:00:42] Yeah, we're gonna cover a few more Jurassic Park Analog Horrors.

[00:00:47] Mikey, the Stands for Evil is not here with us tonight.

[00:00:51] But we are going to press on.

[00:00:55] As we had mentioned in the previous episode with the Analog Horror of Jurassic Park Variety,

[00:01:01] it's a subgenre or trending subject of Analog Horror,

[00:01:06] which is basically a video storytelling medium that uses analog video presentation formats

[00:01:14] to usually, like, as instructions or to show footage or tell a story about some horrific creature

[00:01:24] or anomaly or other horror scenario.

[00:01:28] And in this case, it's Jurassic Park themed with, like, using the technology and the presentation from the 90s films.

[00:01:37] And often creating an alternate reality of the films in world scenarios where shit just got harder

[00:01:43] or, like, something weird happened with the dinos.

[00:01:48] Or it's not alternate reality at all, because it's entirely possible that all this shit actually happened.

[00:01:53] Well, for the ones we've been doing, yeah, it's a lot of the...

[00:01:57] Actually, the running theme between Jurassic Park Analog Horror 1 and 2 that we've been covering

[00:02:01] has been that they are actually fairly tied to...

[00:02:04] They're basically expanding on stuff that could have happened in the world around the films.

[00:02:10] I see the films from one perspective, right?

[00:02:13] Yeah, exactly.

[00:02:15] And...

[00:02:16] But, like, certainly there are...

[00:02:17] I do know there are some other Jurassic Park Analog Horror video series

[00:02:22] that go into a little bit more different things.

[00:02:24] Like, there's, like, something where, like, they accidentally brought back some kind of, like,

[00:02:30] infestation or infection when they cloned the dinosaurs, and now they're starting to mutate or something.

[00:02:36] Like, that's one out there that I've heard about.

[00:02:40] Like a prehistoric virus or something like that?

[00:02:43] Yeah, basically, yeah.

[00:02:45] And so there's, like, some stuff like that that's been mentioned in other video series.

[00:02:51] But, yeah, we're going to focus mostly on, like, the ones that are kind of connected to...

[00:02:56] Kind of connected to or, like, they seem to have, like, a connection to the film universe

[00:03:01] and basically just elaborate on instances that could have happened before or after or between films and stuff like that.

[00:03:11] Or during.

[00:03:12] Or during, yeah.

[00:03:13] Yeah, actually, in the case of the latter for our episodes today.

[00:03:17] So, tonight we have an appetizer and a main course.

[00:03:21] The appetizer being Lost Tapes from Isla Sorna, found footage.

[00:03:26] It's by Dinox86 or Olivier Paterel.

[00:03:32] They're on YouTube.

[00:03:34] You may remember that name and that YouTube channel from our previous episode

[00:03:41] because they dropped this video between recordings.

[00:03:48] Like, I think, right after we recorded the last episode, they dropped a new video, which isn't tied to the previous videos,

[00:03:59] but it's kind of... it's another found footage analog horror video series... a video that they made.

[00:04:05] So...

[00:04:06] Last week's main course, right? Not last week's appetizer?

[00:04:09] Yeah, it would have been from the main course.

[00:04:11] So we're doing an app...

[00:04:11] Today, this week's appetizer is connected to the main course of last week's.

[00:04:16] So...

[00:04:18] Are we confused yet?

[00:04:22] And then we're also going to... for the main course, we also have the InGen 1993 incident videos by Kurt Belsaman on YouTube.

[00:04:32] So I just want to sound a little French and snooty there.

[00:04:35] Like a French waiter...

[00:04:38] Or maitre d'.

[00:04:41] Although it didn't sound French at all.

[00:04:42] You really didn't?

[00:04:44] You were just kind of like...

[00:04:45] I was more just like snooty British maitre d'.

[00:04:47] It's like...

[00:04:49] And it comes with a fine wine of human blood.

[00:04:54] I'm sorry.

[00:04:57] But anyways, we're getting ahead of ourselves.

[00:05:00] So...

[00:05:01] Yeah, for our appetizer, we're going to do lost tapes from Ms. Lasorna found footage.

[00:05:09] For, I guess, an initial recommendation for this one, I'm going to recommend it.

[00:05:13] I also will.

[00:05:15] All right.

[00:05:17] Well, let's...

[00:05:18] I'll have a little rundown for it.

[00:05:20] Again, I encourage you to go check out the videos.

[00:05:23] They're only a few minutes long.

[00:05:24] This one chalks in about eight minutes, 47 minutes...

[00:05:27] Or...

[00:05:28] Eight minutes and 47 seconds.

[00:05:30] Okay.

[00:05:30] If you want me to watch it, I'll go do that.

[00:05:32] Okay.

[00:05:32] Yeah, we'll wait.

[00:05:33] Hi, welcome back.

[00:05:35] Wow.

[00:05:38] And yeah, for the rundown though, it's basically a series of recovered videos from Isla Lasorna.

[00:05:44] Presumably pre-Jurassic Park 3.

[00:05:47] So somewhere between the Lost World Jurassic Park when the island became a nature preserve.

[00:05:51] And before the events of Jurassic Park 3.

[00:05:56] That shows some of the ill-fated illegal tourist trips to the island and the short-lived survivors' last moments therein.

[00:06:06] So it's like kind of a compilation of different experiences of people dying and getting eaten by dinosaurs.

[00:06:12] It's done good.

[00:06:13] No.

[00:06:14] There's like one...

[00:06:14] I don't know...

[00:06:15] We never find out the fate of the girl.

[00:06:19] Presumably her dad either got taken away by a pterodactyl or a pteranodon or just like didn't make it out when the plane crashed.

[00:06:28] But...

[00:06:30] Yeah, because we didn't actually hear from him again.

[00:06:32] Yeah, there's just a lot of screaming and then like...

[00:06:35] And then last thing we saw was the daughter kind of walking around with the camera.

[00:06:39] I was like, I can't believe I survived this.

[00:06:43] But yeah, I guess we'll dive into actual thoughts with this one.

[00:06:46] I'm gonna...

[00:06:47] I've got my...

[00:06:50] Analog horror theater like standard here of technical standpoints.

[00:06:54] And then I have like character actions and plot points.

[00:06:59] Sounds good.

[00:06:59] Yeah.

[00:07:00] So starting with technical standpoints.

[00:07:02] Again, these are all CGI animated, which is perfectly fine.

[00:07:07] I don't think we're trying to...

[00:07:08] They're not really trying to fool anybody that these are real.

[00:07:13] And I don't think there's...

[00:07:16] And again, the filter...

[00:07:17] I mean, even the filters and the quality of the video does actually kind of help a long way for like hiding some of those flaws in the CGI.

[00:07:25] Oh, for sure.

[00:07:25] Sure.

[00:07:26] So like, if you're watching this again, if you're watching this on your phone versus like watching on a TV screen or a computer screen, it might seem...

[00:07:33] It might just have enough there that it feels real, which is fun.

[00:07:39] Like, it's just nice immersive like level to it.

[00:07:42] And actually, honestly, the airplane...

[00:07:44] Like up until like...

[00:07:46] Like when they're in the airplane, specifically, it felt very...

[00:07:52] Like that was a really well detailed airplane, like interior airplane.

[00:07:56] So good.

[00:07:57] Yeah.

[00:07:58] There's a couple of instances where it's like, no, that's definitely...

[00:08:01] That is definitely a CGI.

[00:08:05] But that one...

[00:08:07] The airplane honestly felt very...

[00:08:10] Felt very good and very well produced.

[00:08:12] So...

[00:08:15] What else do I have here?

[00:08:19] Yeah, this one...

[00:08:20] I was actually surprised like how well it was with the...

[00:08:25] Because it's all daytime shots.

[00:08:27] Like none of it's nighttime shots.

[00:08:29] So like there's not the sort of like...

[00:08:31] You're able to hide things in the dark...

[00:08:33] With the darkness and stuff like that.

[00:08:36] And it actually kind of made it...

[00:08:38] It kind of felt like I was watching a darker version of like the Jurassic Park animated stuff, like Camp Cretaceous or Chaos Theory.

[00:08:46] Which are like CGI animated series that are on Netflix and such.

[00:08:50] That like take place after...

[00:08:52] Like during the events of like Jurassic World and like those movies.

[00:08:55] Yeah.

[00:08:57] So it kind of felt like that.

[00:08:58] Almost like...

[00:08:58] Kind of like we're watching like a found footage version of one of those animated series.

[00:09:05] Also, I'm pretty sure...

[00:09:07] Speaking of...

[00:09:07] When I said earlier with the...

[00:09:10] The airplane shot.

[00:09:12] I think...

[00:09:14] Dynox 86 teased that...

[00:09:17] That shot in the last video we covered.

[00:09:20] In the previous one where like there's an airplane taking off during like the...

[00:09:24] Kind of after action report thing that the character from the previous videos had.

[00:09:30] I didn't even think about that.

[00:09:31] It looks very similar.

[00:09:33] Like the whole like airplane taking off and like even the landscape around it is like these mountains with like these like...

[00:09:37] This sort of like desert mountain area.

[00:09:39] This one I think like they must have like done a little bit more detail on the...

[00:09:43] Like outside as well because...

[00:09:46] It seemed a little bit better in terms of like...

[00:09:48] Better rendered than the previous one.

[00:09:51] Um...

[00:09:52] And actually I think a lot of that also hammers to...

[00:09:54] Or comes to the...

[00:09:55] The fact that like...

[00:09:56] So that previous one was like...

[00:09:58] It was an open...

[00:09:58] Like wide angle shot of the airplane taking off.

[00:10:01] In this one we get this kind of janky like camcorder walking into the plane and like looking out the window stuff.

[00:10:07] So it's like...

[00:10:08] It helps the realism and helps the um...

[00:10:11] Helps it feel more natural.

[00:10:12] Yeah, it's a lot more believable.

[00:10:14] Yeah.

[00:10:16] Um...

[00:10:16] Voice acting also was really good.

[00:10:18] Though the screams could have been a little bit more...

[00:10:22] Uh...

[00:10:22] Amplified during the airplane crash.

[00:10:26] Um...

[00:10:27] Yeah, yeah, actually.

[00:10:28] Cause like...

[00:10:29] I was just gonna counter you.

[00:10:30] I'm like when they're getting killed by dinos and shit.

[00:10:32] That was all good.

[00:10:33] Well, honestly like the Dilophosaurus attack at the very end.

[00:10:37] That was perfect.

[00:10:38] He was like...

[00:10:38] He was like...

[00:10:39] Ah!

[00:10:39] And then the thing jumps at him and it immediately cuts short.

[00:10:42] And that was perfect.

[00:10:43] Like that was great.

[00:10:45] Um...

[00:10:46] But yeah, there was a couple of like...

[00:10:47] Just like...

[00:10:48] It was for the most part really good.

[00:10:50] Like the voice acting.

[00:10:51] Um...

[00:10:52] The gondola shot.

[00:10:53] Like where it's like...

[00:10:54] The guy's like walking around this like...

[00:10:55] And trying to like call for help.

[00:10:57] And he looks up and like zooms in at this gondola shot.

[00:11:00] And he's like, oh that's creepy.

[00:11:01] I was like, yeah, no, that's a really good creepy moment.

[00:11:04] Where just like...

[00:11:05] Just this gondola...

[00:11:06] Imagine like you're at the park.

[00:11:09] Like on a gondola.

[00:11:10] Like looking over...

[00:11:10] Like overseeing like the...

[00:11:11] The work and stuff like that.

[00:11:13] And then the power goes out and you're just stuck there.

[00:11:16] Yeah, that'd be a problem.

[00:11:18] Yeah, it'd be that uh...

[00:11:19] It's like that uh...

[00:11:20] Frozen.

[00:11:20] Not the...

[00:11:21] Not the animated movie with the snowman that gets impaled.

[00:11:23] I was like, really?

[00:11:25] There's another movie called Frozen where it's a bunch of um...

[00:11:28] It's some...

[00:11:30] Some...

[00:11:40] Uh...

[00:11:40] Apparently they get left behind.

[00:11:43] Like they...

[00:11:43] People forget them.

[00:11:45] Damn.

[00:11:46] So they're just left up there for like a few days to freeze and like fall off the lift.

[00:11:53] Um...

[00:11:53] And there's like wolves underneath like below them and stuff like that.

[00:11:56] So like I could see that being like a really like harrowing...

[00:11:59] Uh...

[00:12:00] Like that could be a really cool scenario.

[00:12:02] Uh...

[00:12:02] If somebody was like stuck in that gondola.

[00:12:04] Um...

[00:12:04] With like pteranodons or even like a T-Rex or a raptor or something like that below them.

[00:12:09] Hmm.

[00:12:12] Um...

[00:12:12] Uh...

[00:12:13] And then I loved...

[00:12:14] I also really liked the...

[00:12:15] The bit added at the very end uh...

[00:12:16] With the...

[00:12:17] Like it was actually...

[00:12:19] Yeah.

[00:12:20] It's kind of...

[00:12:20] Was he just called Mr. DNA?

[00:12:22] Yeah, in the movie he's like, ah, Mr. DNA.

[00:12:24] Where did you come from?

[00:12:25] From your blood!

[00:12:28] Um...

[00:12:28] Yeah, Mr. DNA is...

[00:12:29] That whole bit was like...

[00:12:30] Clearly it's a custom version.

[00:12:32] Cause like...

[00:12:32] But like it was really well done.

[00:12:35] Um...

[00:12:36] Was it a custom version or was it just a...

[00:12:39] Um...

[00:12:39] Like a cut and paste from the movie?

[00:12:42] I'm pretty sure it was.

[00:12:43] I don't recognize it.

[00:12:45] And I...

[00:12:45] Actually there was a teaser that the uh...

[00:12:47] That uh...

[00:12:47] Dynox 86 released before this one that kind of showed a little bit like a closer look at

[00:12:53] That projection.

[00:12:55] And it seemed like it was a lot...

[00:12:56] It was a...

[00:12:56] It seemed like it was a custom version.

[00:12:59] Um...

[00:12:59] And like well produced version.

[00:13:00] Yeah, I was gonna say it's...

[00:13:02] So well done I didn't even realize.

[00:13:04] Yeah.

[00:13:04] Uh...

[00:13:05] Also the blood sim...

[00:13:06] Um...

[00:13:07] After the...

[00:13:07] The Dilophosaurus gets the guy at the end was a nice touch.

[00:13:10] Like just the...

[00:13:10] Like kind of...

[00:13:11] Although there was a lot of blood.

[00:13:12] A little goopy.

[00:13:13] It was a little thick.

[00:13:15] Like maybe a little bit smaller.

[00:13:16] Like a little bit like lower to the ground.

[00:13:17] Like might have made more sense.

[00:13:19] But like otherwise that was pretty good.

[00:13:20] Yeah, it's like partially hardened jello.

[00:13:23] Yeah.

[00:13:24] Like it's...

[00:13:25] It's real thick.

[00:13:26] It's...

[00:13:27] It's pretty...

[00:13:28] It's pretty goopy.

[00:13:29] Um...

[00:13:29] I do think the Rex versus the Spinosaurus uh...

[00:13:33] Shot prior could have been animated a little bit better.

[00:13:36] Um...

[00:13:37] It did kind of show like the at the...

[00:13:39] The sort of um...

[00:13:40] The stiffness of the animation of when they're...

[00:13:43] When they're fighting each other.

[00:13:43] Yeah.

[00:13:45] But it's...

[00:13:46] That's partially also because um...

[00:13:49] Of the shot placement itself.

[00:13:52] Of uh...

[00:13:53] The dude basically just hiding behind a car.

[00:13:56] And more or less filming.

[00:13:59] Yeah.

[00:14:00] Um...

[00:14:00] Filming the fight as if there was a director behind him saying,

[00:14:04] Okay, the dinosaurs are gonna attack.

[00:14:05] Uh...

[00:14:06] Go film it now.

[00:14:07] Go.

[00:14:07] Yeah.

[00:14:08] Um...

[00:14:08] Yeah.

[00:14:09] I actually...

[00:14:09] I actually have that in my thought.

[00:14:10] My...

[00:14:11] Or my character actions and plot stuff is like,

[00:14:13] Why did he stake or...

[00:14:14] Why did he stick around and not continue running toward the...

[00:14:16] The shelter?

[00:14:18] When the Spino and the Rex showed up.

[00:14:20] Or like faced off.

[00:14:21] Yeah.

[00:14:21] Maybe he just wanted to be quiet and he thought that they distracted each other.

[00:14:25] Well, if they're distracting each other, that'd be a good time to run away.

[00:14:27] Yeah, you're right.

[00:14:28] Exactly.

[00:14:28] And actually...

[00:14:29] But here's the thing.

[00:14:29] The director told him to film the fight as a thing.

[00:14:32] Yeah.

[00:14:33] I know like...

[00:14:33] I mean obviously like if we didn't have that, we wouldn't have this...

[00:14:35] Like this...

[00:14:36] This cool shot that the animator, the creator wanted to make.

[00:14:39] However, a counterpoint to this to make it more realistic.

[00:14:42] I actually think it would be really cool and might help with the shortcomings of the animation...

[00:14:46] Of the model animations.

[00:14:48] If it actually focused on him like...

[00:14:49] Like he like sees the Spinosaurus coming and like confront...

[00:14:52] Like then front confronting the T-Rex.

[00:14:54] Then starts turning around and like in a panic and starts running for the door.

[00:14:57] And as he's running, we get some foley behind him of the fight.

[00:15:01] That way like it's sort of like...

[00:15:03] Like it leaves...

[00:15:03] It's a little bit more like less is more.

[00:15:05] Like it leaves...

[00:15:06] The audio would leave the audience to think that like, oh yeah.

[00:15:09] There's a fight going on.

[00:15:10] It makes sense that this guy is not sticking around.

[00:15:14] Yeah.

[00:15:14] Because when he's sitting there filming it like...

[00:15:17] I mean if you want to have him sit there and film it, cool.

[00:15:19] But realistically, with the amount of just dino meat being thrown around there...

[00:15:26] Yeah.

[00:15:26] It would be shaking the whole fucking world.

[00:15:29] Like he would not be as like steady as he is filming this.

[00:15:34] Like every time...

[00:15:36] Like a T-Rex comes in and bites him, he's going to be like shaking and stuff.

[00:15:40] Like every step is going to make his camera move.

[00:15:43] Yeah.

[00:15:43] You need to like add in those kind of extra bits.

[00:15:46] And also like the shakiness of the camera would hide more of the...

[00:15:51] The potential flaws in the animation because you know, it's hard to animate two dinosaurs fighting.

[00:15:57] That shit's difficult.

[00:15:58] I'm sure.

[00:15:59] Yeah.

[00:15:59] Like I'm not throwing shade at all to the anime.

[00:16:01] No, hell no.

[00:16:02] Like this is a really cool production.

[00:16:05] I'm just...

[00:16:05] These are just some like constructive criticism points and like stuff.

[00:16:08] But yeah.

[00:16:09] And kudos to you to actually like...

[00:16:11] Yeah.

[00:16:12] Go for it.

[00:16:13] Yeah, exactly.

[00:16:15] Also, yeah, like you're saying, like I like the...

[00:16:17] Even like this, a little bit of the Star Trek, whoa, like the shake on the camera, like

[00:16:21] have like have the camera shake whenever things happen.

[00:16:23] That was that happened a couple of times in the story where I felt like there would have been more shake on the camera because

[00:16:28] like of the way the character acts.

[00:16:30] There is some good jank like to it, like as he's as characters are running around and stuff.

[00:16:41] So, um...

[00:16:42] Uh...

[00:16:43] I think that's it for my technical standpoint stuff.

[00:16:46] And then onto the character actions and plot.

[00:16:50] Um...

[00:16:50] Character...

[00:16:51] Actually, before you do that.

[00:16:52] Yeah, sure.

[00:16:53] With the camera shake.

[00:16:54] Yeah.

[00:16:54] A little bit more yes, but not too much.

[00:16:56] Yeah.

[00:16:56] Because like I recently started watching the Bourne movies, like Jason Bourne.

[00:17:01] I think it was like the second movie.

[00:17:03] The fight scenes, it's just the camera guy is just having a seizure every time there's a fight scene.

[00:17:08] You can't see anything.

[00:17:09] Yeah, well, they also like because like that those those actually those fights are also like heavily like like cut cut up.

[00:17:15] Yeah.

[00:17:15] Yeah.

[00:17:16] Um...

[00:17:17] Yeah, no, I like it's sort of like you gotta find a balance because also found footage films like I've watched some found footage films where I feel carsick.

[00:17:25] Or like my eyes are hurting because I'm like straining to like keep this thing stable.

[00:17:30] But yeah, you gotta like what is the balance point?

[00:17:34] Do you want to make it um very watchable for everyone?

[00:17:39] Yeah.

[00:17:39] Or do you want to make it as realistic as possible?

[00:17:42] Because realistically, it would be hard to watch because the camera guy isn't necessarily trying to frame a good shot and keep it stable.

[00:17:50] Yeah, he's trying to survive.

[00:17:52] No, that's that's true.

[00:17:53] Like these aren't like the like also like this is set in the 90s.

[00:17:57] So like early like the late 90s.

[00:17:58] I think like somewhere between like 94 and 97.

[00:18:01] Um, cause that's when like lost world before.

[00:18:04] Uh, or no, uh, it would be 97 to 99, I guess, or 2000 because that's when, uh, lost world stopped or ended and Jurassic Park, um, like happened.

[00:18:14] So, but, um, like even then like camcorders, like people, they didn't have stabilizers back then.

[00:18:19] Like a lot of camcorders now like do now.

[00:18:21] So like there'd be a lot of shake.

[00:18:23] Yeah, for sure.

[00:18:24] Um, and it's not like GoPros and stuff like that, which I thought like might be initially like characters like had GoPros on their chest.

[00:18:30] So like that make more sense of like how they're like able to move around and stuff.

[00:18:33] But again, these are all two.

[00:18:35] These are tourists who are like going to this island illegally.

[00:18:38] So, um,

[00:18:41] There's even a thing in the nineties.

[00:18:43] Yeah.

[00:18:44] Yeah.

[00:18:44] My, my dad, uh, like I mentioned it last week.

[00:18:47] Uh, my dad has like from the eight late eighties, early nineties.

[00:18:50] My dad had, uh, home cameras, uh, that he like filmed like home movies of us and stuff like that.

[00:18:56] So I know home cameras, GoPros like strapped to your chest.

[00:19:00] Oh, GoPros.

[00:19:00] You said GoPros.

[00:19:01] Sorry.

[00:19:01] I must've missed that.

[00:19:03] Um, I think GoPros existed in the early two thousands.

[00:19:07] Cause like, actually hang on.

[00:19:09] I don't know, man.

[00:19:10] Cause like the way I think of GoPros is as a digital medium.

[00:19:14] I don't know if there were GoPros that you had to like load in a fricking tape because that realistically, these are all tape, um, recordings.

[00:19:23] Or at least that's what they're emulating.

[00:19:25] Yeah.

[00:19:25] They would've been like eight millimeter.

[00:19:28] So it was, uh, the company was when the company, uh, first, uh, that was when the, uh, the, the, the company first sold, um, that camera system.

[00:19:37] Also is eight millimeter the right wording for that?

[00:19:39] I'm referring to like the small little VHS.

[00:19:42] 35 millimeter.

[00:19:43] That's what it was.

[00:19:43] Sorry.

[00:19:43] Yeah.

[00:19:44] Yeah.

[00:19:44] 35 millimeters.

[00:19:45] The, uh, is like a camcorder type.

[00:19:47] Um, and actually it wasn't until 2006 that GoPros went digital.

[00:19:52] Oh, so there were some GoPros previously.

[00:19:54] Yeah.

[00:19:54] Yeah.

[00:19:55] And like the early, like early 2000s, but not like this early kind of thing.

[00:19:59] Um, I kind of miss the old tech where like you crack it open, you like pull something out of it and you have to load something new into it and close it.

[00:20:06] Like again, like that's like marble hornets.

[00:20:08] And like, so like captured that.

[00:20:09] Cause like, uh, they, they find like a bunch of like 35 millimeter tapes in a bag, you know, in a hole.

[00:20:14] Um, uh, in the woods that the character like has to like go through and like find like all this like footage of how they found a bunch of creep, like, like creepy Slenderman shit.

[00:20:23] So yeah.

[00:20:25] And like my dad, like, again, like I, I've actually got my dad, uh, for, for Christmas, I think last year, um, basically a three, a 35 millimeter Kate, like a set holder for all of his tapes.

[00:20:35] Cause he had like, I think 75 plus tapes or it might be a hundred, a hundred or more tapes.

[00:20:42] Yeah.

[00:20:42] Yeah.

[00:20:42] Yeah.

[00:20:43] Um, and it is like from like eighties, I think it's like from the mid eighties onto like through, like through the nineties and into the two thousands.

[00:20:51] So yeah.

[00:20:52] Somebody who grew up with that kind of stuff.

[00:20:54] It's, it's easy to like to see that this stuff did exist back then.

[00:20:57] Um, though again, the GoPro stuff did not exist.

[00:21:00] And, uh, I think when this, when, when this, these videos were happening, but, um, also actually on the, on the, uh, term of the tapes or on the, uh, toxic talking about the tapes.

[00:21:13] Yeah.

[00:21:14] On the subject of the tapes.

[00:21:15] Who gathered these tapes?

[00:21:17] Was it, was it in gen?

[00:21:18] Was it, was it biosyn in gen's competitors?

[00:21:21] I mean, they were on the Island creating the spine though.

[00:21:23] So, or at least that's.

[00:21:24] Yeah.

[00:21:26] I don't think it was in gen because like, they're putting it together.

[00:21:30] Yeah.

[00:21:30] To like show the shit that they were doing, you know, it could have been an earth first group.

[00:21:35] Like there's a, like, sort of like, uh, uh, in, in the lost world, uh, the character van Owen is, uh, kind of found out to be basically an earth first, like bio terrorist.

[00:21:45] Um, but, and that, that, that only means like basically they're like, they're, they're against corporations using biotech.

[00:21:51] Um, like, like the way.

[00:21:52] So that's a good thing.

[00:21:53] Yeah.

[00:21:53] It's sort of a good thing.

[00:21:54] Cause it basically like, they're basically eco, eco terrorists.

[00:21:57] So like they, they go in and like try and get the, like, try and show, like show the corruption of corporations meddling with nature and stuff.

[00:22:04] Um, so it could have been like one of those groups.

[00:22:06] Hell, like, um, maybe, maybe after they, uh, they, uh, they, they contacted the, some of these seedy tourist group, uh, companies that are down in Costa Rica.

[00:22:14] It's like, Hey, so like we've noticed that like a couple of these like families have been complaining that their, their, their family members have gone missing after going on one of your tours.

[00:22:21] Uh, can you, uh, can you find, tell us where you went so we can like take a look and then they go on the island.

[00:22:27] And, um, since they're eco, like some of them are like professional, like by botanists or biologists, they know, like,

[00:22:33] to stay away from certain like wild animals and stuff.

[00:22:36] So they might be able to get around like some of the dinos, uh, for like a short trip and get these cameras or get these, get this footage that they find as they're finding bodies or like what's left of the person.

[00:22:46] Yeah.

[00:22:47] It's also possible that in gen themselves gathered up all this stuff and like they're keeping it for their own archives, cut it together into one tape and, um, basically hit it somewhere.

[00:23:01] And then somebody got like an info leak or something.

[00:23:04] Yeah.

[00:23:05] Yeah.

[00:23:05] It's like, uh, what, what's the, what was the in shadow run?

[00:23:08] Oh, Mike, he's not here.

[00:23:09] I can't say sorry.

[00:23:10] Uh, you can apologize to him.

[00:23:12] He might be listening.

[00:23:13] Um, in, in shadow run, isn't it like a, or was it like a info cat or like, or was it, um, it was, you could like get like pay data.

[00:23:23] That's what it was.

[00:23:24] Um, like we're shadow runners, which are like a corporate thing too.

[00:23:27] Like they're basically like corporate espionage, like somebody like broke into like a corporate, uh, mainframe or hard drive system or something like that, or, and, and stole like data.

[00:23:35] That's worth a lot of money if, if leaked or something like that.

[00:23:39] Um, that can actually, that can actually be a whole, I remember I used to like, I used that when we were running our shadow run campaigns.

[00:23:45] You probably did, but that was a dog's age ago.

[00:23:48] Hey, that's true.

[00:23:50] Well, now I think it's like, I, I kind of want to run a like a shadow run game that where you, but you're like going to Isla new, you're going to like an engine like facility to like, to acquire pay data for, um, uh, from like some coverups.

[00:24:05] I think that would actually be really good.

[00:24:08] And then of course, you know, they also happen to have like, they also, of course on the facility, they'd have some kind of like dinosaurs, uh, dinosaur projects going on and they break out.

[00:24:16] And then you have to deal with that.

[00:24:17] Yeah.

[00:24:18] But in a shadow run universe, they would either be cyber dinos or magic dinos or magic cyber dinos.

[00:24:24] Is that wrong?

[00:24:26] Um, when the magic cyber dinos aren't on my side.

[00:24:30] Yes.

[00:24:31] I see.

[00:24:32] Yes.

[00:24:32] Um, actually, uh, on our PPR, they did a, uh, uh, their, their shadow run games.

[00:24:38] One of them actually does involve, um, intelligent psychic raptors at an, at an areas facility that the characters are breaking into.

[00:24:48] Fuck.

[00:24:49] Yeah.

[00:24:50] It's, it's pretty funny or it's, it's, it's pretty like funny and also like terrifying, but, um, but back to this, um, uh, I also really like, so that this, this video also kind of like,

[00:25:02] like, again, fully elaborate or like goes really into the scenario proposed in Jurassic Park three, uh, at the beginning with the, the whole thing of like illegal tourism.

[00:25:12] That I'm sorry.

[00:25:13] I'm sorry.

[00:25:13] You know, would have existed if the world found out, like there was an island of dinosaurs in like off the coast of Costa Rica.

[00:25:20] You know, there'd be some seedy, like, um, like tourist trap, like, uh, businesses going on.

[00:25:28] It's like, yeah, we, we, oh yeah, man, we can bring, we can take you out to, uh, to that, to the, the five death islands.

[00:25:34] And that happened at the start of Jurassic Park two or three or some shit.

[00:25:37] Yeah.

[00:25:38] In Jurassic Park three, they do that.

[00:25:39] Like they're, they're paragliding along the coastline of Isla Sorna and then the character, and then, uh, something eats the boat.

[00:25:47] Yeah.

[00:25:49] Uh, it's, it, I'm still, it's still up in the air, whether or not that was the Spinosaurus that like, apparently ninjad the boat or if it was like, um, the Mosasaur or something.

[00:25:59] It was absolutely the giant fricking, uh, ocean murdering lizard thing.

[00:26:06] Well, here's the, here's the thing is like, they do kind of, unfortunately Jurassic Park three was like heavily, like a lot of, a lot of the, um, the continuity of that story was heavily like influenced by like the jank that was like production.

[00:26:19] So like a lot of those scenes were like, were rewritten and, and like added on and stuff like that.

[00:26:24] So like the continuity is a little fuzzy, but the reason why people thought it was the Spinosaurus that was like apparently going out to the, like going out into the shallows along the, the islands coastline is because later on in the movie, the Spinosaurus ambushes the boat from the river.

[00:26:38] Like by, by basically swimming, uh, swimming next to it and like jumping up or basically popping up and starting wrecking house.

[00:26:45] So.

[00:26:45] I guess we don't know how good he could swim.

[00:26:48] Yeah, no, no.

[00:26:48] Spinosauruses are, um, like, well, they, they're basically like, uh, they're basically a T-Rex crocodile.

[00:26:52] Yeah.

[00:26:54] Thanks.

[00:26:55] With a giant.

[00:26:55] Thanks.

[00:26:56] I hate it.

[00:26:57] Yeah.

[00:26:57] They, they were primarily like, uh, like they were the, one of the largest, they're, they're one of the largest, um, theropod, uh, theropod like dinosaurs, but, um, they probably ate fish in marine life more than like terrestrial life.

[00:27:12] So, um, hence why they have kind of more of a crocodilian fate, uh, like a snout and such.

[00:27:17] So, but I digress.

[00:27:21] I'm, I'm, I'm, I'm dino manning.

[00:27:22] I'm dino man nerding out here.

[00:27:26] Um, one thing I do want to bring up.

[00:27:28] So like, again, like there's a, uh, the first, the first video we get is, uh, the dad and then like a daughter, like going on a flight to Isla Sorna.

[00:27:34] Was that Alistair Grant from the previous video?

[00:27:39] Um, like did he just go on a trip with his kid?

[00:27:41] After the events he experienced on the previous, like previously on Isla Nublar?

[00:27:46] Um, mainly because, I mainly ask this because the voice actor sounds the exact same.

[00:27:52] Yeah, I'm gonna say yes.

[00:27:54] Probably.

[00:27:55] But it's like, he was the security guard on Isla Nublar when shit hit the fan there.

[00:27:59] And then he thought it would be a good idea after those events, after experiencing that shit, to take his kid on an illegal tourist flight over, over the other island that's not even regulated.

[00:28:11] I mean, yeah.

[00:28:12] Okay.

[00:28:13] When you say it like that, it's probably not him, but it could be.

[00:28:17] Yeah.

[00:28:17] Like the only way that he can like get past his like PTSD from what happened is to like witness it again from afar.

[00:28:26] Uh, like, yeah, he has to face his fear.

[00:28:28] It's like, dad, like, it's like, no, like his wife's just like, honey, it'd be really good if you just, if you went on this trip and like, she really loves you.

[00:28:35] Your daughter really loves dinosaurs.

[00:28:36] Like it'd be really, and like, I know you have this, this fear after what happened at the other island, but I really think this will be good for you.

[00:28:43] Like you'll face your fears.

[00:28:44] And so that, it's like a few weeks later, crunch or chop.

[00:28:51] Or, or he's the one, he, again, he's the guy that's being picked up by a pteranodon and just flown away to be eaten elsewhere.

[00:28:59] Start when the girl gets out of the aircraft at the start.

[00:29:03] Yeah.

[00:29:04] You know, honestly, I imagine if that had been her dad, she would have like called out like, you know, and be a little more frantic because like, but also that's kind of a surreal moment.

[00:29:12] Also, like, even though like, you know, dinosaurs exist on this island, you've never seen a dinosaur before, like in real life.

[00:29:20] And so that would be just sort of a surreal situation.

[00:29:21] It's like, that's kind of funny.

[00:29:23] Just like, like, like, you don't know how you're going to react to that.

[00:29:26] Like, like, just like, do you take that at face value?

[00:29:29] Or do you just kind of like start slipping away into like, you have to like have compartmentalize.

[00:29:35] It was also so far away that she might not have been able to notice who it was specifically.

[00:29:40] That's just a dude.

[00:29:42] Yeah.

[00:29:44] But yeah, that was just like a funny moment there.

[00:29:47] It's like, Alistair Grant survives Nublar only to be eaten on Sorna.

[00:29:52] Sounds about right.

[00:29:53] Yep.

[00:29:55] I mean, it makes me also think because like, it's there's even like, again, the video of the of the airplane taking off in the desert mountains in at the end of the previous video, which he was narrating.

[00:30:07] So.

[00:30:10] He lost his leg potentially.

[00:30:12] Did he?

[00:30:13] Yes, you're right.

[00:30:14] He did.

[00:30:14] Yeah.

[00:30:15] But he wasn't doing any running in this.

[00:30:17] If it was him being carried away.

[00:30:18] He was actually, yeah, he was also like, he was walking to the airplane, but I mean, he could have like crutches or something like that or.

[00:30:25] Well, again, we had a first person shot of him ever.

[00:30:28] We never see him.

[00:30:29] We just hear him.

[00:30:31] Yeah.

[00:30:31] So he could have been hobbling behind his daughter the whole time.

[00:30:35] Oh, yeah, that's true.

[00:30:35] Yeah.

[00:30:36] Yeah.

[00:30:39] But yeah, that's.

[00:30:41] I think that's all I have.

[00:30:44] In my notes for this one.

[00:30:46] And I mean, again, the raptor, like, I will say again, like there's another shot we get with the tyrannot with a tyrannot attack and a raptor attack.

[00:30:55] Same time.

[00:30:56] That guy really couldn't catch a break.

[00:30:59] Was that area specifically from the movies?

[00:31:01] It looks so familiar.

[00:31:03] Part of it is like actually in the.

[00:31:04] So there's a cliffside, like the cliffside stuff.

[00:31:07] And actually in the distance, you can see the dome where like the tyrannotons live.

[00:31:12] Um, that is actually from Jurassic Park.

[00:31:14] That's actually it looks like it's it's pulled partially from Jurassic Park three.

[00:31:19] Um, that one was also really well modeled.

[00:31:21] Like that was a really well done like model because that almost looked realist like real.

[00:31:27] Um, like with the cliffside and stuff like that, like I'm curious where like if that was like, like how that was modeled.

[00:31:34] That was like done in like some kind of engine or like a game.

[00:31:36] Um, but yeah, that's, uh, that's my, uh, my actual, my, my actual thoughts for, um, for, uh, for lost tapes of Isla Sorna.

[00:31:49] Yeah.

[00:31:51] Uh, do you have anything more Dave or no, do you have any, do you have anything more gamer?

[00:31:57] Uh, probably I chimed in with some of my things.

[00:32:01] Uh, let's see what we didn't talk about.

[00:32:05] Um, in regards to like the rendering quality, I feel like out of all the ones that I've seen so far, this is the best, I think.

[00:32:13] Yeah.

[00:32:13] At least in regards to like the first person walking around in the plane and walking around outside and stuff like that.

[00:32:19] Like in regards to the person walking around and in an environment.

[00:32:23] Yeah.

[00:32:24] Yeah.

[00:32:24] Like the, the original like material or like original animation material.

[00:32:28] Yeah.

[00:32:28] This one definitely the, uh, feels very well produced.

[00:32:33] Yeah.

[00:32:34] And then, um, one part I forgot to bring up about like the, the camera shake in regards to the plane.

[00:32:40] Like when, when the, the girl's going to sit down.

[00:32:44] Yeah.

[00:32:45] It's again, not shaking as much.

[00:32:47] It almost felt more like it was, um, a GoPro in that situation.

[00:32:52] Or, um, it was like, I think I brought this up in the previous one, or it almost looks like someone is gently sitting down and they have a VR headset on and they don't want to have it fall off.

[00:33:02] Cause it's like, it moves over and then like goes down very smoothly.

[00:33:07] Meanwhile, this character is like super hyped.

[00:33:09] Like this character should be bouncing all over the place because she's going to Jurassic Park basically.

[00:33:15] Yeah.

[00:33:18] And, um, like that's my whole problem with that whole first scene is just like, she's super excited, but it doesn't come across in the camera.

[00:33:28] And the way I would get around that is, um, basically get a camcorder, get your dad's camcorder.

[00:33:37] Yeah.

[00:33:37] You, you have a dad who has a camcorder.

[00:33:40] I can say that to anyone cause everyone's dad has a camcorder.

[00:33:43] Basically.

[00:33:45] Um, I was going to say, I feel incredibly seen right now.

[00:33:47] Even.

[00:33:47] Oh yeah.

[00:33:48] Nevermind the fact that I mentioned that my dad has one.

[00:33:51] Yeah.

[00:33:51] I was even using it the, like a couple of months ago.

[00:33:55] Everybody's dad's got a camcorder.

[00:33:56] Hook that bad boy up, charge it up.

[00:33:59] And like, put a chair next to a window, walk up to it while you're saying the lines in the headspace of you're super excited to go there and see how you would actually do it.

[00:34:11] Because it was like, it just wasn't as jumpy as I feel like it should have been.

[00:34:18] Fair.

[00:34:21] Because like, and I watched the scene multiple times because it bothered me and I wanted to see, see why.

[00:34:26] And like, the more I watched the scene, the more the shot felt like it was an NPC going to sit down in the chair.

[00:34:33] I'm going to, I'm going to actually pull it up right now and just check to see.

[00:34:37] It's specifically the transition.

[00:34:39] Yeah.

[00:34:39] Yeah.

[00:34:39] Like how there's like.

[00:34:41] It's like that sea guy I was showing you on YouTube.

[00:34:43] Like him sitting down in a chair basically.

[00:34:47] Yeah.

[00:34:47] It's, yeah.

[00:34:47] It's, it's definitely feels like, yeah.

[00:34:49] My God.

[00:34:50] That was like, I'm just going to slowly sit down.

[00:34:53] Yeah.

[00:34:54] It's like they have a boil on their butt and they don't want to hurt.

[00:34:56] It's so funny.

[00:34:57] They got emeroids.

[00:34:58] Yeah.

[00:34:59] Yeah.

[00:35:02] But again, I don't know the way that they're recording the camera moves.

[00:35:08] The windows have reflections.

[00:35:10] The glass on the windows have fucking reflections.

[00:35:13] Like the very subtle ones, but you can like, you can see like some movement going on inside a reflection.

[00:35:19] That's fucking great.

[00:35:20] It's so good.

[00:35:21] Like rendering technology is so good these days.

[00:35:24] It's amazing.

[00:35:25] I love it.

[00:35:26] Yeah.

[00:35:26] Yeah.

[00:35:27] Especially when you hide it from VHS filters.

[00:35:30] That helps a lot.

[00:35:30] Oh, no, absolutely.

[00:35:31] Yeah.

[00:35:32] But also, this is somewhat related to what we were just talking about.

[00:35:37] In regards to like her sitting down and saying, I want to sit by the window.

[00:35:41] Yeah.

[00:35:42] Every single seat is a window seat.

[00:35:46] Okay.

[00:35:46] Yeah.

[00:35:47] You know what?

[00:35:47] That's fair.

[00:35:48] That is.

[00:35:49] It's like, well, lucky you.

[00:35:51] Literally every seat is a window seat.

[00:35:54] It's like, well, I've got, I've got good news, honey.

[00:35:58] Every seat is a window seat.

[00:36:00] Yeah.

[00:36:02] And also like when she brings it up, it's kind of an odd timing for it as well.

[00:36:07] Cause she brings it up as she's in the motion of sitting in the seat saying like, I want

[00:36:12] to sit by the window.

[00:36:13] Yeah.

[00:36:13] Where it feels like this line would, yeah.

[00:36:19] Like that line would, would work either a, when they're walking up the, uh, the, the

[00:36:25] stairs.

[00:36:25] Cause she isn't aware if there's window seats or not.

[00:36:28] And then she could be like, Oh, they're all window seats.

[00:36:30] Yeah.

[00:36:31] Or, um, or like have it.

[00:36:33] So there is a non window seat option.

[00:36:35] So then that gives her a reason to say that she wants the window seat, um, or have someone

[00:36:40] else walking ahead of her.

[00:36:41] So she's bringing up the fact that she wants a window seat.

[00:36:44] So her dad ahead of her will let her take the window seat.

[00:36:48] Fair.

[00:36:49] Yeah.

[00:36:50] Yeah.

[00:36:50] The way it is, it was just kind of weird.

[00:36:53] No, I get you.

[00:36:54] Yeah.

[00:36:56] And then.

[00:36:57] It's like, yeah.

[00:36:58] Like, Hey, what does it say?

[00:36:59] It's like, well, honey.

[00:37:03] Well, which window seat do you want?

[00:37:05] A window seat.

[00:37:06] There's five of them.

[00:37:08] Actually, that's a weird number.

[00:37:10] I guess if you want to count the pilot seat, that's the uneven number of windows, uh, regardless.

[00:37:17] Um, so I'm, I'm, I'm at the part in the movie cause I'm watching it like, well, while

[00:37:21] we're talking cause I started watching that video.

[00:37:23] That fucking bridge scene is so fucking good.

[00:37:27] Like the, the, the, the environment of it.

[00:37:31] Like the only, the only issue I have is really like when they're running, when they get close

[00:37:34] up to that red door, it kind of looks like a fake, like, like a CGI door, but like everything

[00:37:38] else like looks so good.

[00:37:42] And there's even a crack when the, when the Tyranon attacks the camera.

[00:37:47] Sorry.

[00:37:48] You're, you're good.

[00:37:51] Sorry.

[00:37:51] I was rewatching it too.

[00:37:52] Cause I wanted to see the door of it.

[00:37:54] You were mentioning, but yeah, it was so good.

[00:37:56] And the voice acting of that area was, was all really nice.

[00:37:59] Yeah.

[00:37:59] This is really well done.

[00:38:00] Like again, like it's, it's somebody doing it on, uh, and posting on YouTube.

[00:38:04] Like it's, it's like a fan thing, but it's so well done.

[00:38:07] Um, like even, even despite some of the flaws we've, we've kind of picked at with, uh, our

[00:38:12] constructive criticism.

[00:38:14] Um, it's yeah, it's still really good and like well rendered, but moving on from what

[00:38:22] I was talking about with the window seat, we're technically still in the window seat area.

[00:38:26] Um, but about something different, um, about specifically the jump scare of the impact with

[00:38:31] the engine.

[00:38:31] Oh yeah.

[00:38:32] Yeah.

[00:38:32] I feel like that whole thing is really muted.

[00:38:36] Like it should be a way more extravagant event.

[00:38:39] What's happening.

[00:38:40] Um, and like, again, I'm going back to the camera.

[00:38:43] I'm sorry.

[00:38:44] I hope this next one isn't like that Jason Bourne movie now because I keep bringing this

[00:38:48] up.

[00:38:49] I'll feel really sad, but, um, yeah, it feels like it's too much.

[00:38:54] Like someone says, okay, something's going to impact the wing.

[00:38:56] Be surprised.

[00:38:58] That's the kind of level of camera shake we have where it's someone that isn't actually

[00:39:03] surprised.

[00:39:04] They're pretending to be surprised.

[00:39:06] Um, because they want to, and like, they're holding the shot on the, the wing because they

[00:39:13] want to show the fire simulation and smoke simulation that they've done.

[00:39:16] Yeah.

[00:39:17] No, that's true.

[00:39:17] Not because something hit the wing and oh God, we're going to crash.

[00:39:22] Cause like, yeah, definitely should have like maybe like looked around, like there should

[00:39:25] have been a little bit more frantic looking around like the cabin of the, of the, the

[00:39:28] airplane before.

[00:39:30] Like, cause like you'd be, that's, that'd be the natural reaction.

[00:39:33] Like looking to help, looking to others for help because of like the situation.

[00:39:38] She might be doing that.

[00:39:39] Her eyes aren't the camcorder.

[00:39:42] Yeah.

[00:39:42] You know, then the camera, I feel like the camera, like, like you, I think like you,

[00:39:45] you might be saying, or like you're like, you were saying earlier, the camera should probably,

[00:39:49] even if that's the case, like, like again, like they're her, she's looking around elsewhere.

[00:39:53] The camera should be either be like listing or like frantically listing away from like that

[00:39:58] shot a little bit.

[00:40:00] Cause like, for me, at least I feel a natural reaction to this happening would be to duck

[00:40:06] and cover.

[00:40:06] Like basically have, like have the explosion happen, have it like the, the, the camera

[00:40:14] perspective recoil back a bit, but then immediately just pan down to the back of the seat as the

[00:40:20] characters, like bringing the camera over their head as they're crouching down.

[00:40:24] Cause like a fricking explosion just happened outside there basically.

[00:40:28] Like, yeah, you could peek back up and like film it if you want, but to see what's happening

[00:40:33] after the fact, but that initial impact did not have enough impact in my opinion.

[00:40:40] That's yeah.

[00:40:41] Honestly, I like, I agree.

[00:40:43] Like the, even like, like a small, like a shirking down away from the, from the window,

[00:40:46] just like as a, again, it's a reaction.

[00:40:49] It's a, it's a natural reaction to people when like a projectile explodes or something

[00:40:53] like that you like duck down, you duck.

[00:40:55] Yeah.

[00:40:55] Because the way that this and literally every single, um, Jurassic park, um, analog horror

[00:41:02] thing I've seen so far happens is when something crazy happens, the need to record trumps

[00:41:09] the need for self-preservation at all times.

[00:41:11] Yeah.

[00:41:11] It's like every single person that is recording is a professional camera guy.

[00:41:18] And like they, they go to war zones that they've done wars, you know, and like, so like they're

[00:41:25] prepared and hardened for this sort of thing.

[00:41:27] Meanwhile, it's not the case.

[00:41:30] To quote the, uh, the news lady, uh, talking to her camera guy from the movie wreck.

[00:41:36] Always keep recording.

[00:41:38] God damn it.

[00:41:40] Yes.

[00:41:41] Yes.

[00:41:43] Uh, yeah.

[00:41:45] Yeah.

[00:41:46] No, there's, there's sort of like, uh, like from, at least like from this act, from this,

[00:41:50] uh, creator and the other one that we did for, uh, in the last episode, um, there definitely

[00:41:56] does seem to be like a reaction that these, these characters have when they have a camera.

[00:41:59] It's like the T-Rex shows up, zoom into its face, zoom back out now run.

[00:42:05] Brandon, that did not happen in this one.

[00:42:07] It's a money shot.

[00:42:08] Then run.

[00:42:10] Yeah.

[00:42:10] Yeah.

[00:42:11] There were too many money shots in this one.

[00:42:13] There was like, um, there's a zoom on the, uh, the gondola that was like paused there.

[00:42:19] That's why.

[00:42:20] Like, cause like, yeah.

[00:42:21] Yeah.

[00:42:22] Which is okay.

[00:42:22] You're in a relatively safe area.

[00:42:24] And also in regards to that zoom, the zoom in and the refocus looks so good.

[00:42:29] I know.

[00:42:30] I'm watching it right now.

[00:42:31] Yeah.

[00:42:32] It also makes sense.

[00:42:33] Cause like, again, like he would like, again, like the, the Raptor, uh, the Raptor sounds

[00:42:36] happen after the, the, after that.

[00:42:38] So like, he's still walking around, like looking like calling for help or trying to get, find

[00:42:42] help.

[00:42:43] And he like zooms in base.

[00:42:44] The way I would have done that is like, he's zooming in to see if he can see anybody inside.

[00:42:50] Yeah.

[00:42:50] Like he's zooming in to get a closer look.

[00:42:52] Really.

[00:42:52] It's like, but not using binoculars basically with the camera.

[00:42:55] Yeah.

[00:42:56] But yeah.

[00:42:57] Which would be the smartest reason to be recording is to use it as a better set of eyes than your

[00:43:03] own in this sort of situation.

[00:43:05] Yeah.

[00:43:08] And then he also gets a money shot.

[00:43:10] Like where he's like zooms into the Raptors that are talking to each other.

[00:43:13] Yes.

[00:43:14] Behind a, um, I, I do feel like that one, like I wasn't sure if I actually, I didn't

[00:43:20] realize that the Raptor, a Raptor was like.

[00:43:22] Um, pulling him from behind.

[00:43:25] Uh, I see running away backwards.

[00:43:27] Yeah.

[00:43:27] Well, yeah.

[00:43:28] It kind of looked like that when I first watched it.

[00:43:31] And then I realized that he was being pulled.

[00:43:32] I think it's, he should have like hit the, hit the deck basically.

[00:43:35] And like, maybe like had his hand, like crawl, like trying to grab on or something like that.

[00:43:40] Like grab onto something as he's being pulled away.

[00:43:42] Like he should have been closer to the ground.

[00:43:44] I think.

[00:43:45] Yeah.

[00:43:45] You're right.

[00:43:46] Actually, because like, when you first watch it, like it does kind of feel like he's just

[00:43:50] like backing up, like, oh, God, God, God.

[00:43:52] And then you realize, oh no, he's being grabbed.

[00:43:54] Like, like they do in the movies.

[00:43:55] Like they, they grab them and like whisk them off.

[00:43:59] I think I might know what the problem is.

[00:44:03] Take a shot.

[00:44:03] If I say camera shake, but it's the way that the camera is shaking.

[00:44:07] Cause like, if it's be, if you're being dragged, that camera is not going to be bobbing.

[00:44:12] Like you're walking.

[00:44:13] It's actually not going to do that at all.

[00:44:15] It's just going to pull.

[00:44:16] Yeah, exactly.

[00:44:17] It's like the way I think that's the, the, the, the camera shake makes it look like he's,

[00:44:22] he's running fast.

[00:44:23] He's like the, he's like Venkman and Egon and them at the, at the very beginning of

[00:44:27] Ghostbusters as they're like running away, scared backwards through like the library

[00:44:32] away from the ghost.

[00:44:36] Also.

[00:44:37] Yeah.

[00:44:38] So if this was being pulled back straight and way lower, like if, if you're getting

[00:44:44] grabbed from like your leg or something and you're being dragged ass first, your hands

[00:44:49] are out front with the camcorder there.

[00:44:52] So the camcorder lens is at the height of the fricking grass.

[00:44:57] Yeah, exactly.

[00:44:58] It should be in the grass getting pulled back.

[00:45:00] We should get some really cool grass physics as he's like, as he's getting like pulled through

[00:45:04] the grass.

[00:45:05] Again, like again, again, just like to make that, that shot better.

[00:45:09] That's all we're saying.

[00:45:11] Yeah.

[00:45:11] But yeah, we're not saying like, oh, you should have done this.

[00:45:13] You're wrong.

[00:45:14] No, like this is great the way it is, but there's always ways.

[00:45:19] Yeah.

[00:45:19] There's always ways to make it cooler and opt ideas and stuff for next time and all that.

[00:45:24] Yeah.

[00:45:25] Also, I just gotta say like, because I'm on the shot now of like him running away from

[00:45:29] the Spinosaurus and runs into the, into the, the, the headquarters.

[00:45:34] Yes.

[00:45:34] This happens in Jurassic Park three as well.

[00:45:36] Where like the, the Spinosaurus broke through salt, like steel, like metal beamed, like fencing

[00:45:42] that was designed to keep the dinosaurs penned up.

[00:45:45] I mean, my mind you, they were also supposed to be electrified.

[00:45:48] Yes.

[00:45:49] But like the, he bashes through like a huge, like bunch of metal and stuff and like breaks

[00:45:54] through that fencing and a door stops him both times.

[00:46:01] The door to the, to the, to the, to the, the, the, the, the, the, the, the, the tourist

[00:46:07] center stops him both in this short film and in the, in the actual movie.

[00:46:16] It's a little ridiculous.

[00:46:17] When you say it like that.

[00:46:20] Like I'm not throwing shade at this creator so much as I'm throwing shade at Jurassic Park

[00:46:24] three.

[00:46:25] In general.

[00:46:26] Yeah.

[00:46:26] Just Jurassic Park.

[00:46:27] Yeah.

[00:46:28] I mean, that movie isn't the best one, but like it's, it does have highlights.

[00:46:33] It also has a lot of like, again, it had a lot of problems in production.

[00:46:36] So like a lot of that, I think kind of like falls, like kind of influenced like how, how

[00:46:41] well, how well it, uh, it was made.

[00:46:43] So, but yeah, um, I just had to, I had to point that out cause he's like, he's running

[00:46:48] for safety from the Spiceurs after it notices him.

[00:46:51] And I just love how like in both of these cases, like that Spiceurs is stopped dead by

[00:46:56] the door of that, of that center.

[00:46:59] Can't possibly get through that.

[00:47:01] No.

[00:47:04] Unless it knew that the, the, the center was actually Dilophosaurus territory.

[00:47:09] Oh, it's scared of the little Dylos.

[00:47:12] I mean, you know, you say that, but like apparently in, in, in camp Cretaceous and I think even

[00:47:17] in chaos, no, I think it's actually mostly in camp Cretaceous, they use them as like bioweapons.

[00:47:22] Like they, they treat them like threatening bioweapons, like, uh, because of their toxic spit

[00:47:27] attack.

[00:47:28] I mean, I guess.

[00:47:29] Yeah.

[00:47:30] Especially if there's a crap load of them, like, I guess they would kill a, uh, they

[00:47:34] could take down.

[00:47:34] Spino.

[00:47:35] Yeah.

[00:47:37] But.

[00:47:37] 1v1, no, but.

[00:47:39] Yeah, not 1v1.

[00:47:40] Yeah, 1v1, chomp.

[00:47:42] Mm-hmm.

[00:47:43] But anyway, um, yeah.

[00:47:45] Anything, anything else for, uh, the Lost Tapes of Isla Sorta?

[00:47:48] Uh, yeah, probably.

[00:47:50] Okay.

[00:47:50] Because we're kind of jumping around a bit.

[00:47:52] Um.

[00:47:53] So, like, I have a question about the camcorders specifically.

[00:47:57] Because like, it's jumping around from a, from multiple different characters who are all

[00:48:02] recording.

[00:48:03] Yeah.

[00:48:04] How many people have camcorders on this fucking plane?

[00:48:07] Well, I'm also.

[00:48:07] Because there's at least four.

[00:48:09] I was also not, I, I, you know, that's, that's a good point.

[00:48:12] Um, I actually thought that it might've been like, these are actually, this is actually

[00:48:15] footage from like different people's cameras from other tours, not just the ones on this

[00:48:21] plane.

[00:48:22] Oh, I'm pretty sure it's just that plane.

[00:48:24] Now that you, now that you've pointed that out, it makes it, I actually now realize

[00:48:27] that like, yeah, like this is actually, this is all for the night thing.

[00:48:30] But I mean, like, again, like you're, you're going to a, uh.

[00:48:33] If you're going to an island of dinosaurs, it, I kind of feel like you're the odd man

[00:48:38] out.

[00:48:38] If you don't have some kind of camera.

[00:48:41] Yes.

[00:48:42] Fair.

[00:48:42] Fair.

[00:48:43] But would everyone be like continually recording everything after the, I guess you might actually.

[00:48:50] It might.

[00:48:51] Yeah.

[00:48:51] Like for like, it's like, this is a crazy event.

[00:48:53] Like if I survive this, I want to be able to relive this.

[00:48:55] Yeah.

[00:48:56] It's also the sort of the, well, it's, it's a lot more prevalent in like, again, the early,

[00:49:00] in the two thousands.

[00:49:02] Um, because like that was, that's, that's the go-to reaction of like anybody with a camera

[00:49:07] on their phone is like, pull out your phone, start videotaping.

[00:49:11] Um, maybe not, maybe not in the, even the late nineties.

[00:49:14] Like maybe that's the case.

[00:49:16] But again, like I do feel like that is also a reaction.

[00:49:18] If you have a camera, you're going to use it to, uh, to, to document something.

[00:49:22] Yeah.

[00:49:22] I guess.

[00:49:23] Yeah.

[00:49:24] Just the way it is, like with everyone just automatically recording as soon as they like

[00:49:29] wake up and stuff like that.

[00:49:30] It feels like everyone had a GoPro running on their chest at all times.

[00:49:34] Yeah.

[00:49:35] From the get go.

[00:49:35] Maybe, maybe the company like offered them like, here's, here's your GoPro and we'll,

[00:49:39] we'll give you the footage after.

[00:49:41] I mean, maybe.

[00:49:42] Yeah.

[00:49:43] Yeah.

[00:49:44] Cause like the, the scene that's the most egregious for that is when the, um, when the girl wakes

[00:49:48] up from the crash and is climbing out, like grabs the camera first before like anything

[00:49:55] else.

[00:49:56] She's even like, Oh, what happened?

[00:49:57] I can't believe I survived that.

[00:49:58] She's like walking around with the camera.

[00:50:00] Like, is that glued to your hand?

[00:50:02] I mean, they are, they do have straps.

[00:50:05] That's true.

[00:50:06] I'm still thinking it's like actually a camcorder, like not a, not a GoPro.

[00:50:10] No, like, no, like camcorders have a strap that goes over the back of your hand.

[00:50:14] No, that's true.

[00:50:15] Yeah.

[00:50:16] It was still on their person.

[00:50:18] So they're just like, Oh, it's still on there.

[00:50:20] So I guess I'll just hold on to insert filming.

[00:50:22] Yeah.

[00:50:25] Again, it's sort of like that.

[00:50:26] That's just really picking apart the, the, the whole, like, why are people, why, why,

[00:50:31] why are people videotaping and found footage films?

[00:50:34] That's like the time honored.

[00:50:35] That's like the, that's like the biggest, like pet peeve.

[00:50:39] I think of found footage films.

[00:50:41] Like why?

[00:50:42] Yeah.

[00:50:43] It's, it's, you need to find a reason.

[00:50:45] I always look for like realism in things and like, think about it.

[00:50:50] If I was in that situation, what would I do personally?

[00:50:52] Would it be the same?

[00:50:53] But like, I get it.

[00:50:56] You're trying to tell a story and show a story and you can't do those things if there's no

[00:51:01] recording or if they're not showing it, you know?

[00:51:04] So I, I totally get it.

[00:51:06] Yeah.

[00:51:06] Like there's a certain point you have to like, kind of like, yeah.

[00:51:09] I, it's great when some, when they, when they can find a reason why the character would

[00:51:12] be videotaping.

[00:51:14] But at the end of the day, also there's sometimes like the, the, the audience has to kind of

[00:51:18] like suspend their disbelief because like they're, these characters, these, these people

[00:51:23] are trying to create a story and it's like, they're using the found footage format.

[00:51:27] Yep.

[00:51:27] For sure.

[00:51:32] And then.

[00:51:35] Um.

[00:51:37] Huh?

[00:51:38] Again, like I've been watching this video over and over again.

[00:51:40] I got to the Brachiosaurus, like, like the person like walking through the, like one

[00:51:44] near the jungle and like, he's that Brachiosaurus.

[00:51:47] Like, God, these, these, these shots are so well rendered.

[00:51:51] It's finally good.

[00:51:53] Environments are so cool.

[00:51:55] So cool.

[00:51:56] And even in broad daylight, which is amazing.

[00:51:59] And it's like different types of daylight too.

[00:52:01] Like the, um, we just went from like that one shot with the Brachiosaurus, which was like

[00:52:04] pretty like strong day.

[00:52:06] And then we cut to like the next one, which is like, it's a like almost overcast day.

[00:52:10] Light.

[00:52:10] Like the lighting is really varied here.

[00:52:14] So good.

[00:52:16] Sorry.

[00:52:16] It is good.

[00:52:17] Continue.

[00:52:18] Yes.

[00:52:18] Um, my next note is we actually see humans a little bit in this.

[00:52:25] Um, more noticeably at the end with the raptor murder.

[00:52:30] Yeah.

[00:52:30] Um, but even earlier on in the plane, you actually see, um, a guy's arm in the left side of the,

[00:52:38] uh, of, uh, one of the shots.

[00:52:40] Yep.

[00:52:41] So it's, it's good that they're showing people here because realistically it is not a ghost

[00:52:47] walking around in a empty world of dinosaurs, empty world, dinosaurs, empty world of humans

[00:52:52] that only has dinosaurs in it.

[00:52:54] Yeah.

[00:52:54] Um, so like I give you props for that.

[00:52:57] And granted when the human attack happens, the human doesn't look as photo real as everybody

[00:53:03] else.

[00:53:03] I, again, this is where like, if you honestly like look at the, the, the model they chose

[00:53:08] looks very much like a character from camp Cretaceous.

[00:53:11] I keep going back to that, but like, that's kind of what this feels like.

[00:53:14] It feels like this is like a lost episode of camp Cretaceous or chaos theory.

[00:53:18] Hell yeah.

[00:53:19] Um, again, cause like, yeah, it's just like the dinosaurs are all like really well done

[00:53:22] and then the humans are just like a cartoon character or like clearly CGI characters.

[00:53:27] Yes, for sure.

[00:53:28] And granted, like, like I said before, like I'm giving you props for wanting to do that

[00:53:33] because it's so easy to just show the environments, just show vehicles and dinos and then have

[00:53:39] like, um, analog horror tutorial or not tutorial informational stuff in between it, but like

[00:53:45] actually straight up showing it.

[00:53:47] Yeah.

[00:53:47] That's good.

[00:53:48] Cause this is the same guy that like, again, Dinox 86 is the same person that, uh, had

[00:53:51] the, uh, the human hand, like as the T-Rex is about to come down on the guys like, no.

[00:53:55] Yeah.

[00:53:56] Like, so it was like, I, it was, it looked like a photo realistic human hand, like, like

[00:54:00] popping up on screen, like to like busy, like shield himself.

[00:54:04] That one may have been a JPEG.

[00:54:06] I'm unsure.

[00:54:06] I, I think it might, I honestly think you're right.

[00:54:09] It might've been like added in like post product or like, or see post product or a post

[00:54:14] production.

[00:54:14] Like this is like a, like it was actually filmed on set.

[00:54:17] Of course it was.

[00:54:17] These are re this is real.

[00:54:19] Yeah.

[00:54:20] Clearly look at that Brachiosaur.

[00:54:21] I know that back is so cool.

[00:54:23] So cool.

[00:54:24] Um, honestly, the only model that I really had a beef with, um, is the Spino.

[00:54:28] The Spino is probably like the, the, it's probably the worst model, but like I, it does,

[00:54:35] it, it did not look as good as the other ones have looked to me.

[00:54:41] Um, I think that, but that's just, again, personal preference.

[00:54:44] Like, I think like, I, maybe it's just like the, the model that they, they, they, they had

[00:54:47] or like they used, um, it wasn't as like, to me, it wasn't as like, well, like well

[00:54:53] designed as like the other ones were.

[00:54:55] But again, I, I, I'm not, not shitting on the person.

[00:55:00] Of course not.

[00:55:01] Um, but back to the, um, CG person getting murdered by a dino, by the, the, the raptor.

[00:55:11] The only other thing I got to bring up about it is like, okay, first off, um, I really

[00:55:15] like that this happened and it's good for immersion purposes because most of the time

[00:55:20] when someone dies, it's just like, oh, there's a dinosaur.

[00:55:23] Ah, and then it cuts out.

[00:55:25] But here, like the camera gets dropped and you witness it happen, which is really cool.

[00:55:30] You, you have like concrete confirmation that yes, this, the camera guy died.

[00:55:36] Granted, it was like the most gentle raptor attack I've ever seen in my life.

[00:55:43] Like, like, look at it.

[00:55:44] He's like, he's really slow with his murdering.

[00:55:48] Like he's very gently stepping on him.

[00:55:50] And then it's more like he like leaned in to give him a little smooch.

[00:55:54] A gentle lover.

[00:55:56] Yeah.

[00:55:58] Honestly, like if it's like very confident, it's like,

[00:56:00] you're fucked.

[00:56:01] Like, I got you.

[00:56:02] It's like, let me just, let me just, let me just crunch your face.

[00:56:06] All right.

[00:56:06] You're dead.

[00:56:08] Yeah.

[00:56:09] That might be a different way to look at it.

[00:56:10] Yeah.

[00:56:11] Or just like, yep, you're mine now, bitch.

[00:56:13] Cause like there's, there's scenes, again, there's scenes like that in the mood in

[00:56:16] Jurassic Park three where like the character, like they, uh, they just, they just casually

[00:56:20] step on the guy's back and then, and like break his, and like cut his spine.

[00:56:23] I guess that's true.

[00:56:24] Yeah.

[00:56:24] And then like, they, they just like, he's like, when they realize their traps done, um,

[00:56:29] the guy's still alive, but he's like paralyzed.

[00:56:31] And they just like the cat, the raptor just casually like puts his, uh, puts the other,

[00:56:34] the guy's, um, uh, head in its mouth and just snaps its neck or snaps his neck.

[00:56:40] Which is like, damn, the raptors know how to snap a neck.

[00:56:44] They can open doors.

[00:56:46] So of course they get snapped necks.

[00:56:48] They can open doors.

[00:56:49] They can snap some necks.

[00:56:50] Yeah.

[00:56:51] Raptors are scary.

[00:56:53] Apparently raptors are also friends of Crick.

[00:56:57] And also, um, Steven Seagal.

[00:57:00] Yes.

[00:57:02] Yeah.

[00:57:02] To a lesser extent, I hope.

[00:57:04] Yeah.

[00:57:05] But, uh, yeah, I digress.

[00:57:08] No, I digress.

[00:57:09] Yes.

[00:57:10] We digress.

[00:57:12] Yeah.

[00:57:12] Okay.

[00:57:14] Um, actually I brought up the last note.

[00:57:18] Yes.

[00:57:18] Because like about the, the dino fight and him holding on the shot too long.

[00:57:24] Um, yeah.

[00:57:27] And my very last note is just, I like that the dino DNA guy is like talking in the background

[00:57:32] while the horror is happening.

[00:57:34] Yeah.

[00:57:35] At the end, it's like a very nice, um, contrast.

[00:57:39] Yeah.

[00:57:40] Yeah.

[00:57:41] It was just like, yeah.

[00:57:42] Again, that's, I, again, I think that's actually part of the, to me, like that's actually like

[00:57:46] where the analog horror element is.

[00:57:48] And it's like, cause like, it's just like instructional video or this introduction video.

[00:57:51] That's like all like promotion, promoting the park stuff.

[00:57:54] Meanwhile, this horror is happening.

[00:57:56] Like that's the nice contrast between like the, the format and the reality of the situation.

[00:58:01] Yeah, for sure.

[00:58:04] Um, all right.

[00:58:05] Well, that's, if that's it for actual thoughts, uh, those who move on to final thoughts.

[00:58:10] So yeah, it's, it's a cool concept piece, uh, showing different scenarios of ill-fated trips

[00:58:16] or of un-ill-fated trip and multiple survivor or ill-fated survivors who are short-lived survivors.

[00:58:24] Victims.

[00:58:24] They're not survivors.

[00:58:26] They were short-lived.

[00:58:27] They survived the plane crash.

[00:58:29] I guess.

[00:58:29] Yeah.

[00:58:30] Uh, it was basically just an Uber Eats for the dinos.

[00:58:33] Yeah.

[00:58:34] A little bit.

[00:58:35] Um, but yeah, like on Nizla Sorna, like pre Jurassic Park three, or maybe, maybe this

[00:58:40] was happening like after Jurassic Park three, like maybe this is, maybe that stuff was still

[00:58:44] going on, like in the years after the, the, the third movie.

[00:58:47] Um, because again, the first, in the third movie, we get that like people are, there's,

[00:58:52] there's at least one company out there in, on Costa Rica that is doing boat tours, like

[00:58:56] paragliding boat tours of the Island.

[00:58:59] So dumb.

[00:58:59] Um, yeah.

[00:59:01] Um, uh, for some personal project by animator, by an animator or creator like team, or maybe

[00:59:07] even like just one person, um, who's a fan of Jurassic Park.

[00:59:10] This is really cool and has some really good creepy moments and kills all in daylight lighting.

[00:59:18] Um, so like, it's really well done for that.

[00:59:20] Um, obviously there's, there is some like room for growth and some room for improvement, but

[00:59:25] like what's here is, is still really good.

[00:59:29] Um, so yeah, I, I would definitely still recommend this.

[00:59:33] Um, obviously there might be a caveat of like, like the previous videos, um, we covered like

[00:59:39] it might be situational.

[00:59:40] Like I, I wouldn't, if somebody didn't like Jurassic Park, I'm not going to show them

[00:59:44] this, but like, if somebody's a fan of Jurassic Park and like the lost world at like the, like

[00:59:48] the movies and even like Camp Cretaceous, I would probably show them this, um, like without

[00:59:54] a doubt.

[00:59:54] Yeah.

[00:59:56] So.

[00:59:58] My gamer?

[01:00:00] For me, I really liked this one.

[01:00:03] Out of the very small sample size I have of Jurassic Park analog horror videos that I've

[01:00:08] seen, this one's probably my favorite so far.

[01:00:10] Um, there's a lot of weird stuff in it that I like brought up earlier in regards to, uh,

[01:00:20] camera stuff and like everyone's recording all the time, stuff like that.

[01:00:24] But I like that there's like a story of them going down there, um, to see dinos and then

[01:00:30] this shit happens and they all get separated and everyone gets murdered.

[01:00:33] And by like the rendering's all really good and you see a little bit of wandering around

[01:00:37] before they get killed and it's all done really well.

[01:00:41] So, um, yeah, I'll, I'll recommend this one.

[01:00:43] There's always ways to improve it, but that's the same with everything except for who was

[01:00:47] phone.

[01:00:47] Of course.

[01:00:49] Because that is peak.

[01:00:51] Yeah.

[01:00:52] Now I'm just picturing a velociraptor on the other side of that phone.

[01:00:55] Damn right.

[01:00:56] Because I mean, they get, they can open doors, they can snap necks.

[01:00:59] They can definitely pick up a phone.

[01:01:01] Oh hell yeah.

[01:01:01] Of course again.

[01:01:02] But who is phone?

[01:01:04] Velociraptors.

[01:01:06] What's the guy's name from the, what's Professor Grant's first name?

[01:01:12] Oh, Alan.

[01:01:13] Alan.

[01:01:14] Yeah.

[01:01:14] The raptor going, Alan, Alan.

[01:01:16] Alan.

[01:01:17] Yeah.

[01:01:18] Oh, that was a weird drew sequence in that movie.

[01:01:21] It gets in the third movie.

[01:01:23] So yeah.

[01:01:24] Mm-hmm.

[01:01:24] And it's on a plane as they're going across the, going over the island.

[01:01:28] So yeah.

[01:01:29] So good.

[01:01:31] Um, but yeah, onto the main, that was a, that was a pretty filling appetizer.

[01:01:34] Yeah.

[01:01:35] Honestly, I think I'm good.

[01:01:36] All right.

[01:01:37] Well, that's for this week's episode.

[01:01:40] No, uh, we do have a main course.

[01:01:42] Oh fuck.

[01:01:43] Um, the InGen 1993 incident videos by, by Kurt Belsumann.

[01:01:48] Um, they're on his YouTube channel, uh, on YouTube.

[01:01:52] Did I just say YouTube channel?

[01:01:53] Probably.

[01:01:54] You did.

[01:01:55] Uh, they're on his YouTube channel.

[01:01:57] Um, they're the only two videos he has on his channel.

[01:02:00] So, um, and I think actually, uh, one of them came out, I think a year ago.

[01:02:04] And then the other one came out like a month ago.

[01:02:06] Um, so, uh, yeah.

[01:02:09] Quarantine Pen Escape is the one that I'm, that I was actually familiar with first.

[01:02:14] Uh, cause again, it was from, uh, one of the videos that, um, uh, 4 Plus, um, posted

[01:02:19] on their YouTube channel.

[01:02:21] Um.

[01:02:23] So this one, yeah.

[01:02:24] Quarantine Pen Escape Jurassic Park Analog Horror.

[01:02:28] Um, I think we'll, we'll save initial recommendations till we, cause these, these are two videos

[01:02:32] that have like, uh, that, that connect to each other.

[01:02:34] So we'll, we'll wait till we finish both like our, our thoughts and stuff on both of them.

[01:02:38] And then we'll give our, our recommendations.

[01:02:41] Um, so after some, some promo footage, sorry.

[01:02:45] And so onto the rundown for, for Quarantine Pen Escape.

[01:02:48] Um, so after some promo footage, uh, for the park by, uh, by, uh, by Hammond, you know,

[01:02:56] the guy who created or who funded Jurassic Park.

[01:02:58] Uh, we get a story of two employees at the park, Edward Regis and Marco Gutierrez, uh, who

[01:03:06] were pulled from leaving along with everyone else, uh, during the film's evacuation of non-person,

[01:03:12] non-essential personnel, you know, right before the hurricane, uh, came in and like the power

[01:03:16] edges and stuff.

[01:03:17] To double check the quarantine pens on the island, uh, where the raptors were being kept

[01:03:22] or where the, where the head raptor was being kept.

[01:03:26] Um, due to the power outage, uh, the raptor escapes and attacks killing Marco in their attempt

[01:03:33] to flee and hide.

[01:03:35] Uh, we then get some more promo footage interspliced in of Hammond basically just like hoping, uh,

[01:03:42] uh, the, uh, hoping the audience enjoyed their time at the park and sort of in a, in a stark

[01:03:48] contrast to the horror we just witnessed in these, in the video.

[01:03:53] Um, that's, that's basically the gist of it.

[01:03:55] Uh, again, go check it out.

[01:03:57] Uh, it's on YouTube, Quarantine Pen Escape, uh, in brackets, Jurassic Park, analog horror

[01:04:02] and bracket.

[01:04:04] Uh, and, uh, we'll dive into actual thoughts for this one.

[01:04:08] So for my, my technical standpoint stuff, um, I really like the, this one, uh,

[01:04:14] this is actually kind of a break from what we've been watching previously.

[01:04:16] Cause in the previous ones, it's been mostly like a traditional style of filmmaking or like

[01:04:22] even found footage mate filmmaking, uh, even though it's all CGI, but like in this one,

[01:04:27] it's, it's got that plunder phonics style of format where it, it's using some old video

[01:04:34] material, probably some promo stuff from a video game or even for, for like the original

[01:04:39] movie.

[01:04:40] Um, say like, that was one of the questions I was going to bring up.

[01:04:44] Is that like from something before, or is that like AI generated or some shit?

[01:04:49] No, I, I think it's all, I think this is all from like, I'm pretty sure this is all pulled

[01:04:52] from like promo material either for a video game or from like, uh, there was a lot of

[01:04:58] like promo stuff that was going around Jurassic Park.

[01:05:00] Like after, cause Jurassic Park, like when it landed, it landed hard.

[01:05:03] Um, like, and like big, um, like people loved it.

[01:05:06] So there was a ton of like footage, like stuff that got made, uh, around it, um, uh, to like

[01:05:13] help promote it even further.

[01:05:14] So, um, yeah, I, uh, and even the, um, even some of the footage, uh, I know there's some

[01:05:21] game material, uh, footage used, uh, as well to like for elaborating certain scenes, um,

[01:05:27] like the, the tourist lodging area that we get to like walk that they get to walk to

[01:05:31] when the, the guys like bring the luggage for the kids.

[01:05:34] Um, I'm pretty sure it's actually from a fan game I've, I've seen before called Jurassic

[01:05:38] Dream.

[01:05:39] That's what I thought.

[01:05:40] Yeah.

[01:05:41] It's Jurassic Dream.

[01:05:41] Yeah.

[01:05:42] And also, I love that.

[01:05:43] I love that game.

[01:05:44] First off, I love that this footage exists.

[01:05:46] I love that that game exists because we actually get to see what the lodging, what, what the tourist

[01:05:51] lodging looked would have looked like for Jurassic Park had the park opened.

[01:05:56] Like it would, it would have been these like cool, like kind of tropical island, uh, cabins

[01:06:01] basically.

[01:06:02] They were all like, and like, yeah.

[01:06:04] So like, uh, I love that that exists and like that they obviously use that kind of footage.

[01:06:08] I'm also pretty sure that they use some footage from, um, what's it called?

[01:06:14] Uh, from actually, uh, Dinox 86 is a T-Rex attack or like T-Rex videos.

[01:06:19] Cause like some of those like rainy night scenes that like near, like the, near the storage

[01:06:23] near the, I do in quotes, the storage, uh, uh, uh, the storage center and like the, the

[01:06:28] quarantine pen kind of look like the, um, yeah.

[01:06:32] When he parked far away.

[01:06:33] Yeah, exactly.

[01:06:34] Yeah.

[01:06:34] They like some, like the same shot.

[01:06:36] It might've been poor.

[01:06:37] It might, it might've been, uh, borrowed for this video.

[01:06:40] Um, and again, that's part of the plunder phonics style.

[01:06:44] Like a lot of, um, analog horror does is like, again, like you're not making a lot, you're

[01:06:47] not making any money off of these things.

[01:06:48] They're just kind of like fan things that people make to get the, to make creepy footage.

[01:06:53] So sometimes they, they just pull like video footage from other places and make it grainier

[01:06:57] and make it and like, kind of like splice it into their own videos.

[01:07:00] Yeah.

[01:07:01] Um, uh, but yeah, also, uh, this one really pulls from things like man, the Mandela catalog

[01:07:07] in terms of like the having, having like when, when characters are talking, like actually

[01:07:12] like talking to each other, um, there's like a, uh, there's face images, uh, or like a,

[01:07:17] like kind of like a mug, like a photo, uh, like a shot of their photo of their face or

[01:07:21] like a mugshot.

[01:07:22] And then they have like a transcription of their dialogue as they're talking underneath

[01:07:26] it.

[01:07:27] Um, to kind of show you who's talking and stuff like that.

[01:07:29] And it has also like their names and such.

[01:07:31] Um, that's a very, that that's like kind of built into analog horror since the Mandela

[01:07:37] catalog, I think.

[01:07:39] Um, I'm also actually kind of curious, where's that, where's that from?

[01:07:42] Um, like what, what, what that's from prior to the Mandela catalog stuff?

[01:07:46] Like the, the only other thing I think I've seen that in is like certain like news broadcast

[01:07:52] correspondence, uh, situations, or even like the metal gear solid, uh, games, uh, have

[01:07:57] like, like contacting, like, it's like, uh, Ocelot.

[01:08:01] Yeah.

[01:08:03] But I think it's also pulled from, like, it's also like inspired by like, um, news broadcast,

[01:08:08] uh, correspondence where like, you just see like a person's like image and then like they're

[01:08:11] talking cause they don't have footage, but they have like their radio, they have like

[01:08:14] a, they have radio signal.

[01:08:17] So, um, I am curious where also with regards to some of the footage, I'm, I'm really curious

[01:08:23] where the Raptor footage is pulled from.

[01:08:26] Um, because like some of it looks like it's, it's not like fully like finished, but again,

[01:08:32] like they, they make do with like some of the graininess and the effect of the filters

[01:08:35] they add on.

[01:08:36] But like some of it looks like it's almost like a puppet, like more of a puppet, like

[01:08:39] roaming through like a thing.

[01:08:41] So it almost made me wonder if it was like some behind the scenes material from the original

[01:08:44] films, like some sort of like some cut scenes that they didn't like finish do.

[01:08:48] They didn't finish like properly, like setting up or anything like that, or even like from

[01:08:53] some kind of theme park or even like a, like a stage show.

[01:08:56] Cause there's a couple of like stage productions that involve Raptors, um, that are actually

[01:09:00] canon to the dress park storyline.

[01:09:04] Really?

[01:09:04] Yeah.

[01:09:05] There's a, there's actually one involving Troodons.

[01:09:07] Uh, that's like apparently canon to the Jurassic park and Jurassic world, uh, stories.

[01:09:12] Nice.

[01:09:14] But, um, yeah, so it was, it was, I was curious about the Raptor shots, um, that are, that we

[01:09:20] get later in the, in this video.

[01:09:23] Um, I will say I'm a little disappointed cause at no point.

[01:09:26] So what really pulls me in for this video was actually the, the, the title card that we get,

[01:09:32] or like the little, little image we get, uh, when you're looking at this on YouTube of the

[01:09:38] Raptor looking directly at the camera, like that shot, that scene.

[01:09:43] Um, and I, at no point in this video, I, do I actually, do I remember seeing that?

[01:09:49] Um, some of the murders at the end, right?

[01:09:51] Yeah.

[01:09:52] But like, I don't know if it's because it's just so grainy, but like, I, like I tried looking

[01:09:55] around for it and I could not pinpoint where that is in this video.

[01:10:00] Like maybe it just happens so fast, but I don't know.

[01:10:07] Um, and then voice work in this one is also pretty good.

[01:10:11] Um, though Marco sounds a little bit more Russian than Costa Rican to me.

[01:10:17] Um, no accents enough to know.

[01:10:19] Yeah.

[01:10:20] Like the, the accent kind of felt like a little bit more Russian than like a, like a Latino

[01:10:23] Costa Rican kind of accent.

[01:10:25] Um, but other than that, like the voice acting is really good.

[01:10:30] And then, uh, onto like character actions and plots here.

[01:10:33] Um, I like how this uses soft, the, the soft cannon of the Jurassic park telltale games.

[01:10:40] So the, the telltale game dress, uh, dress park, the video game is considered soft cannon.

[01:10:46] So it like, it's like take it or leave it sort of like cannon.

[01:10:51] Um, and it can, yeah, if they want, if they want to, they can, but like, it's not, it may

[01:10:57] not technically be cannon.

[01:10:59] Um, because they can't be cannon.

[01:11:01] Yeah.

[01:11:02] Okay.

[01:11:02] Okay.

[01:11:05] Because, um, if you want it to be cannon, I'll shut up.

[01:11:09] I'm done.

[01:11:13] Um, and the reason I asked, like I say this, cause like they, they referenced Dr. Sorkin,

[01:11:17] um, who's, uh, who's a character from the game.

[01:11:20] I don't know if they're referenced in the movies at all.

[01:11:23] Um, but also Dr.

[01:11:26] Hart.

[01:11:26] And then they also referenced Dr.

[01:11:27] Harding and also Dr.

[01:11:29] Harding having their, his daughter on the Island at the time, because like the character,

[01:11:33] um, uh, Regis is, is taking care of the daughter for, for some time.

[01:11:37] Um, and in, and in the video game, Dr.

[01:11:40] Harding was the, the vet tech who was taking care of that sick triceratops in the film.

[01:11:45] And he played a main, uh, a main character role in the game.

[01:11:49] Um, and in which case he had, in which he had his, uh, his daughter, um, him and his daughter

[01:11:53] got trapped on the Island during the events of the movies.

[01:11:56] And so they trying to escape.

[01:11:58] Um, and then similarly, Dr.

[01:12:00] Sorkin was also a scientist working on the Island during that power outage, but she was

[01:12:04] working with the aquatic dinos in the video game.

[01:12:07] Gotcha.

[01:12:09] Um, I also really appreciate that these characters are not derpish at all.

[01:12:13] And they were just dealt a shitty hand for following corporate orders to do a secondary check of,

[01:12:20] of the systems.

[01:12:22] And I mean, like, even when it's like, it's like, everything seems okay, except well, the

[01:12:27] power, the light's not on, on the, on the fences.

[01:12:30] Oh shit.

[01:12:31] And then they start running immediately.

[01:12:32] They, they immediately, like, like he, it's not derpy at all.

[01:12:35] Like, it's not like they're not doing something stupid.

[01:12:38] They're, they're just trying, they're, they're frantically trying to survive.

[01:12:41] And unfortunately Marco bites it.

[01:12:44] Um, and then I really dig the, the contrast between the advertisement promo video footage

[01:12:50] of Hammond, like, oh, you're going to have a great time at the park.

[01:12:53] We have these wonderful prehistoric creatures, like very lethal, very, very lethal.

[01:12:57] And then like constantly does that.

[01:12:59] And then it just repeats it too.

[01:13:01] Yeah, exactly.

[01:13:02] And then, and then it like intersplaces that with like the dark, uh, horror material that

[01:13:06] we get of like, uh, Regis basically documenting like what happened like at the, at the

[01:13:11] park and, uh, what happened to him and, uh, and Marco.

[01:13:15] Um, and then, and then he, it intersplaces again at the very end with like the, like

[01:13:18] after we've, we've seen the horror of the park, we get this thing of like, again, Hammond,

[01:13:23] like all nice in the promos.

[01:13:24] And so he's like, oh, we hope you enjoy your time at the park.

[01:13:27] Yes.

[01:13:27] I did like the back and forth of that.

[01:13:30] Yeah.

[01:13:31] Yeah.

[01:13:31] It's a, it's a, again, it's a, it's a great, uh, staple in like horror of like having

[01:13:34] that contrast between like the, the optimism and then like the actual like horror of the

[01:13:39] situation.

[01:13:42] But that's all I've got for, uh, for this one, uh, for this video.

[01:13:46] So gamer.

[01:13:50] So I, um, I went and compared those shots that we thought were from, um, the, uh, the previous

[01:13:57] Jurassic Park thing that we did last week.

[01:14:00] Like, and yeah, same shot mirrored though and darkened.

[01:14:05] Okay.

[01:14:06] Yeah.

[01:14:07] I mean, again, I don't know if you want to mention this in the episode or not.

[01:14:11] Cause like, I don't know if that's a problem.

[01:14:14] No, I mean, again, like, I don't think they're like, like they did this, like it's, it's, it's

[01:14:18] a thing that happens with a lot of these like analog horrors and even like, um, uh, it's,

[01:14:22] it's just sort of a thing online of like, uh, again, I call, I called it, I call it,

[01:14:26] it's called plunder phonics where like you pull material, like from other videos and

[01:14:31] stuff like that to create your own story.

[01:14:33] So I, as long as you're not like exploiting that, I don't think there's much of a problem

[01:14:38] to it.

[01:14:40] Like people can, personally, I feel like it should like be referenced in the, uh, the, the description

[01:14:46] though.

[01:14:47] I do agree is.

[01:14:48] Yeah.

[01:14:48] Like there should maybe should be like a credit kind of thing of like where videos were from

[01:14:52] and some of that for the material.

[01:14:53] But again, like I was watching this, assuming that all of this was made by this person.

[01:14:58] Yeah.

[01:14:59] Oh, well, yeah.

[01:14:59] And then like, I, and I, I went into this knowing like that some of this is like definitely pulled

[01:15:03] from other things.

[01:15:04] So yeah.

[01:15:05] Okay.

[01:15:05] So we had different views.

[01:15:07] Yeah.

[01:15:07] We, we, we came in, we came in with two different experiences, which is good.

[01:15:11] Yeah.

[01:15:12] Um, and again, like as long as like, like it's the person is not like profiting off of somebody

[01:15:19] else's work, like that kind of thing.

[01:15:21] Like that's, that's, that's when I think that's the line when it comes to this kind

[01:15:24] of stuff.

[01:15:25] So yeah.

[01:15:25] When you're trying to sell anything.

[01:15:26] Yeah, for sure.

[01:15:28] Yeah.

[01:15:30] Yeah.

[01:15:30] Uh, for me, for, uh, vid, for the, uh, quarantine pen escape, um, the transition and sound effects,

[01:15:39] um, like that happened in between the actual footage and like the, uh, the words on screen

[01:15:47] and stuff like that.

[01:15:48] Every time it happened, it gave me flashbacks to five nights at Freddy's.

[01:15:53] It's because they're using the very similar, if not the same sound effects.

[01:15:57] Yeah.

[01:15:57] It might be the same or just similar, as you said, because that they're both things using

[01:16:02] VCR level tapes and monitors.

[01:16:04] So it makes sense.

[01:16:05] Honestly.

[01:16:06] Um, I've, I've heard, I'm pretty sure I've heard those, those VHS sound effects before,

[01:16:10] like maybe not even in like five nights of phrase, but like in other like VHS films, things

[01:16:14] again, I'm sure.

[01:16:16] Yeah.

[01:16:16] Again, I think that's just the nature of like, in the sort of like hodgepodge, um, format that

[01:16:22] the person that the lot of analog horror stuff does.

[01:16:24] And that this one specifically does.

[01:16:27] Yeah.

[01:16:27] Like the guy who did five nights, he probably didn't create that sound effect.

[01:16:31] He got it somewhere.

[01:16:32] That's probably the Wilhelm scream of a static transition effects.

[01:16:37] Yeah.

[01:16:37] You know, I've, I've heard it from like, I, it's actually been from, uh, I think it's

[01:16:41] top five.

[01:16:43] Um, like the, the, uh, it's actually the YouTube channel is called top fives and it's like,

[01:16:47] they're like busy, uh, a horror series or it's from Sir Spooks maybe even.

[01:16:52] Um, and basically they're like a top five scariest videos, like compilation series, uh,

[01:16:57] channel.

[01:16:57] Um, but like, I swear, I think that's like, uh, it, it must be like a staple, like sound

[01:17:01] effect because like, I think I've heard that every time they, they use that for like just

[01:17:05] their introduction of like putting in a tape and like show like, uh, like showing a TV

[01:17:10] screen or like, uh, showing like their, their logo and such.

[01:17:13] So, uh, but yeah, uh, moving on from there.

[01:17:22] Uh, when the cameraman is like walking around the grounds.

[01:17:28] Um, specifically when it looks like that video game, because it is that video game.

[01:17:32] Um, Jurassic dream, I believe you said it was called.

[01:17:35] Yeah.

[01:17:36] That's, um, yeah, it kind of pulled me out of it though.

[01:17:38] Honestly, out of the story being told it, it doesn't help that like all the footage up

[01:17:43] to that point, except for like, maybe like the, like the, um, the one like car scene.

[01:17:46] Um, it is all, it'll a live action.

[01:17:51] Right.

[01:17:51] Well, yeah, well, no, like I get like it's live action and then it cuts to like a CGI,

[01:17:57] a possible CGI, um, shot of, um, driving around in with the, uh, the wilderness there.

[01:18:04] And then it cuts to, uh, footage from Jurassic dream where it's straight up.

[01:18:10] It is a video game.

[01:18:12] Like that is not GoPro footage or camcorder footage.

[01:18:17] Yeah.

[01:18:17] It's, it's meant like it was enough that like, Oh, like we'll just add some filters and stuff

[01:18:21] and like, just, just visual imagine that it's, it is still like the same continuity

[01:18:25] of the same.

[01:18:26] It's supposed to be real kind of thing.

[01:18:28] It's, it's where you're supposed to, again, this is definitely, uh, I think a lot of analog

[01:18:32] horror, it's definitely like, you're supposed to suspend your disbelief a little bit more,

[01:18:36] but it does, it will pull you out if you, uh, like in certain ways.

[01:18:44] So I don't know why I'm trying to like defend it so hard.

[01:18:47] Oh, you're right.

[01:18:48] It's just like when I was going into this, considering every other, um, video I've been

[01:18:53] seeing, I've been trying to think of it with as much immersion as possible and stuff like

[01:18:58] that.

[01:18:58] And then this one jumps around mediums a lot.

[01:19:01] So it's kind of hard to get my, my claws kind of grabbed into this one, you know, into

[01:19:10] the plot.

[01:19:10] Sink your teeth into it.

[01:19:12] Yeah.

[01:19:12] There you go.

[01:19:13] Um, I don't know the dino man, uh, uh, infection.

[01:19:17] It's spreading.

[01:19:18] You know what?

[01:19:19] I'm fine with that.

[01:19:21] You're now the gallimimus in yellow.

[01:19:26] I don't know which one I would be.

[01:19:30] Well, I'm clearly the raptor cultist.

[01:19:32] Well, yeah, I guess.

[01:19:35] Isn't that a T-Rex head that you have for Halloween though?

[01:19:38] Yeah.

[01:19:39] Or the review copy.

[01:19:42] The review copy.

[01:19:46] Yeah.

[01:19:47] Oh, yeah.

[01:19:49] The review copy of the gallimimus in yellow.

[01:19:52] Yep.

[01:19:52] And what would Mikey be?

[01:19:54] Uh, Mikey would be the, um, uh.

[01:20:00] What does the E stand for?

[01:20:02] E dinosaur.

[01:20:03] The E stands for elasmosaur.

[01:20:05] Wow.

[01:20:06] You just pulled an E.

[01:20:08] I'm not, I don't know why I'm surprised.

[01:20:10] Why?

[01:20:10] I am the dino man.

[01:20:12] I'm shocked that you pulled an E named dinosaur just out of thin air.

[01:20:16] I'm pretty sure elasmosaur is a, like a plesiosaur.

[01:20:19] Like it's one of the aquatic reptile dinosaur.

[01:20:21] Like a, not even like an actual, technically not a dinosaur, but like just an aquatic reptile.

[01:20:26] Nice.

[01:20:27] Let me double check.

[01:20:28] Elasmosaur.

[01:20:30] Super important.

[01:20:31] Yeah.

[01:20:31] Yeah.

[01:20:31] Elasmosaurus was one of the long necked, like, um, uh, aquatic, uh, aquatic reptiles,

[01:20:39] sort of like aquatic dinosaurs.

[01:20:41] Nice.

[01:20:43] I'm super impressed now.

[01:20:45] Thank you.

[01:20:46] But moving on.

[01:20:48] Um, so with this and the one that follows, there's a lot of tracking issues in these with

[01:21:00] the deterioration of the film and all that.

[01:21:02] Like these are in real bad shape considering these tapes were probably realistically only

[01:21:07] watched a handful of times in the lore.

[01:21:10] So like if they're this wrecked, they're not wrecked through massive use.

[01:21:15] They're wrecked because maybe these tapes were damaged in the retrieval or something

[01:21:19] like that.

[01:21:19] I don't know, but there's a lot.

[01:21:21] It's one of those things that like, um, like again, analog horror does it, but like slender

[01:21:27] vlogs did before analog horror with like, they would use, um, like tracking and like

[01:21:33] video distortion as like, uh, not just as like a visual effect to tell you that like the

[01:21:39] corruption of the slender man's nearby, but also as like, almost like sometimes as like

[01:21:43] a transitionary, like, like transition between scenes and even like just to like cover up

[01:21:49] things.

[01:21:50] I thought it was just when the, uh, the slender man was around.

[01:21:54] No, they, they, there was a, there's different like kind of purposes it serves depending on

[01:21:57] the, the creator of the slender vlog and like these kinds of videos.

[01:22:01] So.

[01:22:02] And this one, it does seem like the static is put here specifically to stitch together

[01:22:07] the, um, scene transitions.

[01:22:09] Yeah.

[01:22:10] Um, also I'm actually watching the part right now where, where they're like, uh, they're,

[01:22:15] they're, uh, they're, yeah, their jeeps are going through the, the, the,

[01:22:19] the rainy stormy, like night jungle.

[01:22:21] And, um, I'm noticing that they probably had the tracking going on in that one, like

[01:22:25] the way they did just to like kind of hide the fact that it's like, um, like the footage

[01:22:30] is like, well, first off it's like, it's rainy.

[01:22:31] So like there might be some distortion because of that, but also probably just to like hide

[01:22:35] the fact that it's technically CGI.

[01:22:39] So.

[01:22:41] Well, yeah.

[01:22:43] Again, just again, not, and there's not like they're trying to hide.

[01:22:45] It's like, Oh no, this is totally real.

[01:22:46] Like they're like, they're not trying to like do it like super hard.

[01:22:48] It's just to try and help blend like the live action with the CGI stuff.

[01:22:54] It's, it's similar to like what film, like movies try to do with it when they try to like,

[01:22:58] um, mesh like visual effects with like actual footage together.

[01:23:04] I kind of wish there were like that scene specifically where like it cuts from, uh, from

[01:23:11] words and then it's like having a hard time showing stuff and then it shows it kind of,

[01:23:17] and then it tracks, I wish it did that specifically more because of how like corrupted and messed

[01:23:23] up this whole thing is.

[01:23:24] Cause a lot of the times it switches to a new scene and then it's just that new scene

[01:23:30] with like a little bit of, uh, just like, um, of, uh, deterioration issues.

[01:23:37] And then it like glitches away to another scene, but like, I don't know.

[01:23:41] It seems like the scenes themselves, most of them are too clean.

[01:23:45] Yeah.

[01:23:46] Meanwhile, everything between it is so fucked up.

[01:23:49] Yeah, that's true.

[01:23:51] I don't know.

[01:23:51] The transitions were weird.

[01:23:52] That's the TLDR on that.

[01:23:54] Okay.

[01:23:55] Yeah.

[01:23:58] Um, actually, because you were speaking of the, the, the night shot with the, the jeeps,

[01:24:05] um, that's all done relatively well enough, but the jeeps have no sounds.

[01:24:11] Yeah.

[01:24:12] Pretty sure they're not electric specs then.

[01:24:14] Um, well, you know, actually specifically for Jurassic Park, the, the tour jeeps, like the

[01:24:20] jeeps that the characters were in when the T-Rex attack happened, they were on a, they were

[01:24:24] basically like bumper cars.

[01:24:27] Like they, there was a track that went down the middle of the, uh, of the road for those

[01:24:31] cars and they were basically electric.

[01:24:33] So those ones were, but not these.

[01:24:35] But yeah, the specifically the G, all the, all the utility jeeps that like the staff used

[01:24:38] and like Muldoon and all them used and started to go like search for Alan and the kids and

[01:24:43] such that those were all like clearly stated in the films as being like diesel or like gas,

[01:24:48] gas powered jeeps.

[01:24:51] So I'm pretty sure they said like when they, when we found the kids or somebody was like,

[01:24:54] Oh, we can't use this because the, we have no power.

[01:24:58] It's like, don't worry.

[01:24:59] I have a gas jeep over here.

[01:25:00] Like he specifically calls it that.

[01:25:01] Yeah.

[01:25:03] Yeah.

[01:25:03] Because the power is like, don't worry.

[01:25:04] We have, we have, we've got, we've got gas for the jeeps.

[01:25:06] That's yeah.

[01:25:07] Yeah.

[01:25:08] But yeah.

[01:25:09] Um, that's dino nerds.

[01:25:13] That's fine.

[01:25:14] That's exactly what we should be.

[01:25:16] It's like, like, like the fact that like, I'm able to like pull out, it's like, Oh,

[01:25:19] actually the movies it's established.

[01:25:22] Yeah.

[01:25:23] I get it.

[01:25:24] It's not that weird.

[01:25:26] They're not weird.

[01:25:27] Cult classics, you know?

[01:25:29] Yeah.

[01:25:29] They're actually like major, like blockbuster films.

[01:25:32] Yeah.

[01:25:33] My next sentence of this note.

[01:25:35] Um, like there should also be in regards to sounds like rain.

[01:25:39] Sorry.

[01:25:40] The rain hitting the roof was louder than the sound of like the windshield wipers or

[01:25:44] the sounds of the engines here.

[01:25:46] Yeah.

[01:25:46] Like the sound part of this could have used some tweaks.

[01:25:52] And, um, also there were no running lights on the, on the Jeep ahead of them.

[01:25:58] Like, or rather the turning signal lights were acting as running lights.

[01:26:03] Yeah.

[01:26:03] Unless they're just being retro reflect reflective from the headlights of the current

[01:26:08] Jeep hitting them, which means he's driving with no rear lights on at all in that case.

[01:26:13] Which ain't great.

[01:26:14] No.

[01:26:16] Like when they're stopped, you can see that he has the brake lights on and they turn off

[01:26:20] when he moves.

[01:26:21] So those work, but like also they don't glow.

[01:26:25] It's just kind of like, it's a dark red texture when they're off and it's a, like a lighter

[01:26:30] red texture when they're on, but there's no bloom, which I feel like would make it look

[01:26:35] a lot nicer.

[01:26:35] But yeah, this could have been pulled from, uh, yeah, it might also be from the, uh, Jurassic

[01:26:44] dream or something like that.

[01:26:45] Yeah.

[01:26:45] Cause I kind of showing driving around stuff.

[01:26:48] Yeah.

[01:26:49] Cause I'm pretty sure I actually, I want to actually honestly download that game because,

[01:26:53] uh, it seems like it, like there's no dinos in it, but there's just sound effects of dinos

[01:26:58] like off in the distance.

[01:26:59] And I think it does have a weather system that they've implemented.

[01:27:02] So there would, there would actually be like, see, and you can drive the car, the vehicles

[01:27:06] and stuff like that to get to places and such around the island.

[01:27:08] Just to be in there, like with the vibes.

[01:27:10] Yeah.

[01:27:11] That's basically, it's basically a vibe game.

[01:27:14] Yeah.

[01:27:15] Um, yeah.

[01:27:16] Like I, I think I, I follow the guy on, um, on Tik TOK or, uh, or there's somebody on Tik

[01:27:21] TOK that like that, that, um, uh, showcases a lot of those videos and, uh, man, that game

[01:27:27] is just like, it, like the way it's showcased sometimes is like, this is like a cozy horror

[01:27:32] game.

[01:27:34] Cause like, pretty much, you know, nothing's going to get you, but you still get like the

[01:27:38] creepy, like sounds and stuff of that.

[01:27:39] Occasionally it's like Minecraft except dinosaur sounds.

[01:27:43] Yeah.

[01:27:46] But yeah.

[01:27:50] And then, uh, the indoor scene with the Raptors walking around was pretty well done.

[01:27:58] I liked that specifically like, like the first shot of it, he's a little bit like a puppet

[01:28:04] a little bit, but like the second shot is like way better.

[01:28:09] Where is it?

[01:28:09] Or that might've been in the second video.

[01:28:11] I don't remember watching quickly watching.

[01:28:13] No, the second shot of in this, it looks nice with him walking around like that.

[01:28:18] I don't know if that's CG or not.

[01:28:20] I think it might be, um, puppetry.

[01:28:24] Cause again, like the, uh, there was a lot, there was CGI done in the movies.

[01:28:28] Um, but a lot of the, there's also a lot of like, um, animatronic work done.

[01:28:34] So the first shot here of the Raptor staring them down in the darkness, what's even happening

[01:28:39] there?

[01:28:39] I think that's a scene.

[01:28:41] I think that's actually like a distorted dark scene from like the movie with the, uh,

[01:28:45] the kids in the, in the, in the kitchen.

[01:28:48] That looks almost like like the, the, the, the, the area around it looks almost identical

[01:28:52] to the scene.

[01:28:54] Um, like it looks, it almost looks like the two, the side on either side of that scene.

[01:28:58] It looks like those, um, like the culinary counters and stuff like that.

[01:29:02] In the kitchen.

[01:29:03] So I think that's actually a scene either from the movie, directly from the movie or

[01:29:07] again, like a behind the scenes, uh, scene that they never used.

[01:29:10] Mm.

[01:29:10] Um, and it's cool seeing them walk around and trying to find them.

[01:29:14] Yeah.

[01:29:15] And again, like that, then there's also that shot again of like the, the Raptor head walking

[01:29:18] around.

[01:29:18] I think that it's, it's gotta be from something.

[01:29:20] I'm not, I'm not familiar with it though.

[01:29:22] Mm.

[01:29:23] Um, yeah.

[01:29:24] In regards to the dino scene, he's walking around.

[01:29:26] It does look good, but like when he gets attacked and presumably killed, I find it weird that

[01:29:32] the camera just shuts off immediately when he gets attacked, almost like it's a jump

[01:29:36] scare at the end of a video.

[01:29:38] That's probably what it was.

[01:29:39] Honestly, it was just, yeah.

[01:29:40] Uh, I just feel like it would have more impact if he gets bit and the camera falls to the

[01:29:47] ground and like you hear him still being murdered while the camera's just sitting there on the

[01:29:52] ground.

[01:29:53] Yeah.

[01:29:54] But if this is pulled from a movie or something, you have to work with what you have it, you

[01:29:59] know, you pause it when, when it looks like he's just biting, you know?

[01:30:03] Yeah.

[01:30:03] Or whatever.

[01:30:06] Maybe even have like his, like his death, his like final death screams playing as Hammond is

[01:30:10] like saying, well, I hope you enjoyed your time at the park.

[01:30:13] Yeah.

[01:30:14] It'd be like so dark, but it'd be good.

[01:30:18] It'd be effective.

[01:30:18] I think.

[01:30:19] It would.

[01:30:21] Um, all right.

[01:30:22] Yeah.

[01:30:22] So on to in gen 1993 incident coverup.

[01:30:26] So onto the rundown for this one again, go check it out on the YouTube channel.

[01:30:30] Um, or, or look up in gen 1993 incident coverup.

[01:30:34] Um, but the rundown, the gist is basically, uh, it's a followup, um, to the previous video

[01:30:40] it's a documentary style expose kind of video, um, made in an effort to shed some light on

[01:30:47] in gen's dubious attempts to cover up the deaths of people at Jurassic park during the

[01:30:53] incidents of the film.

[01:30:55] Um, this expose focuses on the loss of Marco Gutierrez, um, who was a local to mainland

[01:31:03] Costa Rica and whose family is understandably angry that even with a payout to stay silent,

[01:31:09] that in gen won't give them back the body or say what happened outside.

[01:31:14] There was an accident.

[01:31:16] Um, we then get a further confirmation of Marco's death and new footage of Edward Regis

[01:31:24] calling the death, uh, calling the death in and begging for assistance from Mr. Arnold

[01:31:29] back at the main facility of the Island.

[01:31:31] Uh, Mr. Arnold was of course, uh, Samuel L. Jackson, uh, in the movie, uh, in the whole,

[01:31:37] like, hold onto your butts.

[01:31:38] Like he was basically the head of like staff and stuff like that.

[01:31:43] Um, so yeah, uh, onto actual thoughts and technical standpoint stuff for me.

[01:31:49] Um, I have to ask, these are some really cool sweeping Costa Rican panning shots.

[01:31:55] Uh, and they work for like this kind of like, as like the, like panning shots as there, as

[01:32:00] there's like the, the video being narrated and such, but how are they getting drone footage

[01:32:05] in the early to mid nineties?

[01:32:08] Oh fuck.

[01:32:09] Is it drone footage?

[01:32:10] Oh shit.

[01:32:11] It honestly feels like drone footage.

[01:32:13] I don't think like, cause the only other time, like in the nineties, the way you'd get

[01:32:17] these kinds of shots would be through a helicopter.

[01:32:20] Yes.

[01:32:21] And some of them are a little too, to me personally, like I, I could be wrong, but to

[01:32:26] me, it seems like they're, to me, it seems like they're too close to the ground to be

[01:32:30] a helicopter shot.

[01:32:32] Um, I could be wrong.

[01:32:33] Like, but these, honestly, these do feel like, um, that like, like, uh, like drone footage

[01:32:39] that has just been like filtered and made grainy for like, to try and make it look like it's

[01:32:43] from the nineties.

[01:32:44] Ah, fuck you.

[01:32:45] Right.

[01:32:46] I hate, I, I, I don't mean to, again, like it's there again, allowances for like a suspension

[01:32:52] of disbelief, but these are straight up drone shots.

[01:32:57] Yeah.

[01:32:57] Cause they're so smooth.

[01:32:59] Yeah.

[01:33:00] So, you know what, if there was camera shake, take a shot, it would help.

[01:33:04] Yeah, exactly.

[01:33:06] Um, or even like some shots that were like not as close to the, to the, um, not as close to

[01:33:12] the beaches.

[01:33:12] Cause I feel like there's, there's a couple of shots that are like, they're a little bit

[01:33:15] farther away that would that work.

[01:33:17] But like the closer it gets, the closer it becomes apparent that this is just a, um, uh,

[01:33:21] this is clearly a helicopter.

[01:33:23] This is clearly a drone, not a helicopter.

[01:33:24] Cause it's like, is he landing on the beach with the helicopter?

[01:33:27] Yeah.

[01:33:27] Or like, or slowly, like, like people are walking and like, they're slowly like panning and like,

[01:33:32] uh, like hovering, hovering over.

[01:33:34] And I'm pretty sure the helicopter needs to keep, needs to be moving a little bit more.

[01:33:39] It needs to be moving quicker, quicker than that.

[01:33:41] So.

[01:33:42] I mean, realistically, I'm sure that this is like, um, old footage or.

[01:33:48] Yeah.

[01:33:49] From some like free to use, um, what's the word?

[01:33:55] Free, uh, public domain or free.

[01:33:57] There you go.

[01:33:57] Yeah.

[01:33:58] You're being a little, uh, like, uh, that's being a little generous.

[01:34:01] I'm pretty sure this, this could easily just be, be pulled from some other YouTube channel.

[01:34:05] I mean, maybe, but.

[01:34:07] Again, like this, this, uh, these two videos have a lot of plunder phonics to them.

[01:34:10] So like, they're just pulling from, from preexisting stuff.

[01:34:13] Um, again, it's the whole, like, I'm assuming this is more of just like a fan video.

[01:34:17] So it's fine.

[01:34:18] Like they're not making a profit off of it, but.

[01:34:20] Um.

[01:34:21] Yeah.

[01:34:22] I'm sorry.

[01:34:23] Yeah.

[01:34:23] I'm sorry to ruin the, the, the allure, the, the magic of that.

[01:34:27] Yeah.

[01:34:27] Um, realistically though, it's not like those shots are anything to do with the story itself.

[01:34:33] No.

[01:34:33] And actually, in fact, they work because that's the kind of, those are the kinds of shots

[01:34:36] you'd have in a documentary style expose.

[01:34:39] Um, where they're like, they're, they're, they're showing like a location and also like

[01:34:43] having narration over top of it.

[01:34:46] So it's, it's structured.

[01:34:47] This, this documentary style thing actually kind of goes into my next quote or my next comment.

[01:34:51] It's done really well.

[01:34:52] I think it's well structured.

[01:34:54] Um, and the voice work in this is solid.

[01:34:57] But unbelievable.

[01:34:58] Like not just the, the guy who's like doing the narration for this one, but also like,

[01:35:02] uh, Marco's cousin.

[01:35:04] Um, uh, who's, he, it sounds very believable.

[01:35:08] It sounds, sounds, uh, sounds Costa Rican or sounds like he's from a South American country.

[01:35:12] Um, but also like sounds like he's in pain later on in the, in the interview over the

[01:35:19] death of his cousin.

[01:35:19] Sure.

[01:35:19] Actually.

[01:35:20] Yeah.

[01:35:20] It actually breaking down.

[01:35:22] Yeah.

[01:35:22] And like, that's, it's good.

[01:35:23] Like it's good voice work.

[01:35:25] And you can tell even through the distortion of his like anonymous filter thing.

[01:35:29] Yeah.

[01:35:32] Um, but yeah, that's what I've got for technical standpoint stuff, uh, character actions and

[01:35:36] plot wise.

[01:35:37] Um, uh, it's nice that this ties into the coverup of killings that happened on the island and

[01:35:44] the low key payouts that in gen did to silence people, um, between Jurassic park and the lost

[01:35:49] world movies.

[01:35:51] Um, it's actually referenced, um, in the loss at the beginning of the lost world, like there

[01:35:55] was a bunch of payouts.

[01:35:56] So for like that coverup, um, uh, to kind of like keep quiet about like the deaths and

[01:36:01] stuff like that, that happened on the island.

[01:36:04] Um, so it's, it's good that they actually like elaborate more on that.

[01:36:07] And like the fact that like other more than just the people on the, um, in the movies

[01:36:10] died on the island as a result of the, the, the power failures and such.

[01:36:14] And you actually like feel it more.

[01:36:16] Cause like, yeah, in the movies they might say that there's payouts and stuff, but like

[01:36:19] when you hear it from a member of the victim's family, it's a lot more real.

[01:36:25] Yeah.

[01:36:25] I mean, even like, like, because the, the, the, one of the main characters in the lost

[01:36:29] world, uh, uh, Ian Malcolm, he was against the payout stuff and actually tried to like,

[01:36:35] um, and tried to get the word out about, about in gens, uh, uh, situation, like in gens

[01:36:41] incident there and in gens basically, um, uh, worked at basically it's sabotaging his,

[01:36:47] his name, like basically destroying his reputation.

[01:36:50] So, um, yeah, of course, you know, it's a evil court.

[01:36:55] It's a, it's a malign corporation that has been genetically engineering dinosaurs from,

[01:37:00] from, uh, from frog DNA and, and, and, uh, samples found in fossil and fossilized

[01:37:05] amber.

[01:37:07] Like, yeah, they, they were, they were not, they were never really like their, their, their

[01:37:12] head, their, their heads, they have a, they have a problem of having a very optimistic and

[01:37:16] very like idealistic, uh, CEO, but the rest of the company is kind of morally dubious.

[01:37:24] Sure.

[01:37:25] Yeah.

[01:37:25] And actually, even in the, in the book, actually, um, uh, Hammond is completely, uh, is a completely

[01:37:32] different character.

[01:37:33] Uh, like he's way more like cold and calculating and corporate than they, than they made him

[01:37:39] in the movies.

[01:37:40] So they decided to make him likable and just make all of his like investors, the bad guys

[01:37:45] basically him also being a bad guy.

[01:37:48] Yeah.

[01:37:50] Um, and then, uh, the next thing I have here for this one, um, also it's, it's, it also

[01:37:57] goes into the fact that InGen was hiring locals, uh, on the mainland for their park, which makes

[01:38:03] sense.

[01:38:03] Like a corporation would definitely like seek out, like get employment, uh, seek employment

[01:38:08] or seek employees from a local area.

[01:38:11] Um, especially like somewhere farther away from like, say like America, like the States,

[01:38:16] if that's where like they're, they're based out of and such, like they'd be using like

[01:38:20] local, local, local hands and such.

[01:38:22] Um, and again, like the, the whole aspect of like they were told, like Marco was told

[01:38:26] like he, like basically he was under an NDA.

[01:38:28] He wasn't able to like say anything to his, to his family, but he was able to say like,

[01:38:32] it's good money.

[01:38:33] There's some kind of like zoo or something going on there with, with big animals.

[01:38:37] Uh, but that's all he could, he could say really.

[01:38:39] He couldn't say what kind of animals they were and such.

[01:38:42] Um, and again, a nice tie up kind of conclusion to the tragedy of the previous video where we

[01:38:48] get like, cause that video came out again.

[01:38:50] I think it came out like last year.

[01:38:52] Um, let's see.

[01:38:54] Oh, it came out, it came out 11 months ago, the, the quarantine pen escape video.

[01:38:57] And then this one came out a month ago as of this recording.

[01:39:01] So, um, it's sort of like we had, we had that video for like almost a year, that, that previous

[01:39:06] video.

[01:39:07] And then this one's sort of like a nice tie up kind of like clarification and conclusion

[01:39:11] as to as the events of what happened there.

[01:39:13] So just tying up the story basically.

[01:39:17] Um, so yeah, I, I think they, they go well together.

[01:39:21] They kind of almost hand in hand, these two videos, but, uh, that's what I've got for actual

[01:39:26] thoughts for this one.

[01:39:27] So gamer, you're up.

[01:39:29] Not much to talk about on this one, honestly.

[01:39:32] Um, first one though is, so it basically says like shit went south, dude died.

[01:39:41] Not many people were willing to talk openly about it, but a cousin of his is willing to

[01:39:46] speak.

[01:39:47] And, but the reporter didn't want to say who he is.

[01:39:50] Oh, okay.

[01:39:51] But like how many fucking cousins does this victim have?

[01:39:55] I mean, I come from an Italian family.

[01:39:59] Like, uh, and speak, like the, we've got a lot of, like we got a lot of cousins.

[01:40:05] Okay.

[01:40:06] But like the way he talks, it talks like he is someone who is like very closely related

[01:40:13] to him and he sees him on a regular basis.

[01:40:15] Like, yeah, it should be pretty easy to figure out who he is.

[01:40:18] I do.

[01:40:19] I do.

[01:40:20] Like I did, I did also gotta have some, like some, some thoughts about that.

[01:40:24] Whereas like, we're getting this, like, like, like the muffled voice though.

[01:40:27] You can't hear, you can't tell which cousin it is, but like, we know it's Martin, it's

[01:40:32] Marco Gutierrez and one of his cousins that like he talked to on the regular.

[01:40:36] It's good.

[01:40:37] We're like, somebody could find out who that cousin is for sure.

[01:40:42] Plus like you could tell through, if you just speak to all of his cousins, I'm sure

[01:40:47] you'll be able to find out which one it is.

[01:40:49] Cause like, he has like, uh, vocal tics, like where he says like, uh, like on this screen

[01:40:57] here, it says like, no, not like normal animals.

[01:40:59] Okay.

[01:41:00] Like he keeps saying, okay, like all the time, even when it's like not something like

[01:41:06] he, he called very quick.

[01:41:08] Okay.

[01:41:08] Like, but he sounds very nervous.

[01:41:11] Okay.

[01:41:12] Like he says, okay.

[01:41:13] All the time.

[01:41:14] You just talk to all of his cousins.

[01:41:16] Who's the guy that says, okay.

[01:41:17] All the time.

[01:41:18] Him.

[01:41:18] Kill him.

[01:41:19] Let's go.

[01:41:22] Corporate espionage.

[01:41:24] Yeah.

[01:41:25] But that being said, I really liked the way that the guy talked.

[01:41:28] Like it was, it was very believable and real.

[01:41:31] Yeah.

[01:41:32] It felt like a proper, it actually felt like an interview.

[01:41:34] Yes, for sure.

[01:41:36] And then the, um, the ending monologue with like the picture of Hammond there.

[01:41:45] Yeah.

[01:41:45] Is that from one of the movies or is that pulled from another movie that Richard Attenborough

[01:41:52] did?

[01:41:52] Who is the actor of Hammond?

[01:41:55] Yeah.

[01:41:55] Who played Hammond.

[01:41:56] I think that's actually pulled from one of the movies.

[01:41:59] Uh, it might've been from again, bonus, like extra, like some, some, uh, extended material

[01:42:05] or something like that.

[01:42:06] Uh, I'm pretty sure it's actually from law.

[01:42:08] It might be from the lost world or from even, uh, even one of the drastic world movies.

[01:42:13] I think there's a photo, there's like a painting of him.

[01:42:16] I don't mean the, yeah, the painting I'm sure, but I'm talking about like the words.

[01:42:20] Oh, the words.

[01:42:21] I, that's, that is another interesting one.

[01:42:23] Uh, again, it might be from a video game.

[01:42:25] It might be from, uh, from extended, some extra, some like, again, some bonus material

[01:42:29] or video footage.

[01:42:30] Um, I recognized what he's talking about.

[01:42:33] He's, he's, it's a, it's a famous quote about basically like, um, the hubris of, of

[01:42:39] like, of, of, of, of an emperor or an empire.

[01:42:42] Um, but it's so like vague.

[01:42:44] It's not referencing anything Jurassic Park.

[01:42:47] So I feel like it could be from another movie that he did.

[01:42:49] That's, that's all, cause that's what you're getting at.

[01:42:51] Yeah, no, that's, that's true.

[01:42:52] It could also be from, from another movie.

[01:42:54] It could also be a voice AI.

[01:42:57] Yeah.

[01:42:57] That was my other thing I was going to bring up.

[01:42:59] Yeah.

[01:42:59] Cause it, I, I, it doesn't, it doesn't sound like an AI.

[01:43:03] Um, but like, yeah, I don't, I don't, I don't actually know.

[01:43:08] Let's look at, let's see if we can find, I'm going to just quickly do a Google search

[01:43:11] and see if we can find, uh, Richard Attenborough.

[01:43:13] He said his name is yeah.

[01:43:15] Ozymandias.

[01:43:17] I apparently do not know how to spell Ozymandias.

[01:43:21] Shocking.

[01:43:21] Yeah.

[01:43:22] Uh, a few hours later.

[01:43:24] Uh, the poem Ozymandias written by Percy Shelley is originally, uh, published in 1818.

[01:43:30] This is from a YouTube videos, like, um, uh, YouTube videos, uh, um, description, um,

[01:43:37] as read by John Hammond Attenborough in Jurassic Park Trespasser.

[01:43:43] Oh, so it's from a video game.

[01:43:45] From an actual Jurassic Park?

[01:43:47] It's from Jurassic Park.

[01:43:48] Yeah.

[01:43:48] It's from Jurassic Park Trespasser.

[01:43:50] The, again, another soft cannon video game.

[01:43:54] Nice.

[01:43:55] Yeah.

[01:43:56] Which, yeah, again, it makes sense because that, that, that poem does kind of, um, fit, like,

[01:44:00] kind of John Hammond's, um, kind of theme of the movie.

[01:44:06] Like, the, the, the theme around, uh, Hammond and, like, his wish for the park and stuff

[01:44:10] of that.

[01:44:10] Like, he, he built the park, um, and, like, had all these lofty goals for it and then

[01:44:16] it just kind of crumbled the dust.

[01:44:18] Like, that's his legacy.

[01:44:19] Kind of like.

[01:44:19] Intentions, but, yeah.

[01:44:21] Yeah.

[01:44:22] Like, yeah.

[01:44:23] Yeah, it's definitely, it's definitely an adequate, uh, quote, or like, uh, like, quoted

[01:44:26] poem.

[01:44:27] But yeah, now we know where that's from.

[01:44:29] So, yeah.

[01:44:30] Hooray.

[01:44:30] We learned a thing.

[01:44:31] Yay.

[01:44:32] And that's also all I got left to say about this one.

[01:44:35] Yeah.

[01:44:36] That, that's fair.

[01:44:38] Uh, all right.

[01:44:39] Then I guess we'll move into final thoughts for both videos.

[01:44:41] Uh, cause that's kind of treat them as, as the same thing, even though they are

[01:44:45] like 11 months apart.

[01:44:47] Yeah.

[01:44:47] Um, I, yeah, I'm going to recommend it.

[01:44:50] Um, again, like similar to the appetizer we had today, uh, especially to someone who

[01:44:56] likes Jurassic Park and wants to see some of the more elaborate bits of the incident

[01:45:01] around the, the first film.

[01:45:03] Like, cause this is clearly like these guys were like the quarantine.

[01:45:07] At first I thought that this was the one where like, there's like something like does

[01:45:10] some kind of like some, some ancient disease that had gotten them.

[01:45:13] Um, but then I realized this is basically the quarantine band because in the movie, this

[01:45:17] rap, this is the raptor that was like, had eaten, had killed the other one, some of the

[01:45:21] other ones in its pack, uh, for dominance.

[01:45:24] And that's why they had to keep it quarantined away from the other raptors.

[01:45:28] So this is basically, again, this is an elaboration on what was going already going on in the

[01:45:32] movies.

[01:45:32] Um, and we just get to see more of unfortunate victims of like that, that were employees

[01:45:38] of, of InGen during the incidents of Jurassic Park, which again, I like that.

[01:45:44] Like, I like seeing like, that's kind of like the, I think the appeal to me for like the

[01:45:47] Jurassic Park movies nowadays, anyways, it's like these people like made a park, like an

[01:45:53] amusement park and a zoo basically for dinosaurs.

[01:45:56] But because of like certain situations, things went wrong and now they have to, and now it's

[01:46:02] like sort of like a, uh, corporate horror, uh, mixed in with like the, like almost like

[01:46:07] a disaster film kind of situation.

[01:46:10] Yeah.

[01:46:11] Uh, like you're dealing with like, it's man versus, uh, man versus nature and also man

[01:46:15] versus, um, there's, there's gotta be like, there's like a whole thing about man versus

[01:46:22] man versus the corporation or man versus business versus the man, man versus the man.

[01:46:29] Hang on.

[01:46:30] Yeah.

[01:46:30] Like I sure there's one of those like instances of like man versus that's like man versus

[01:46:37] the company.

[01:46:40] I like man versus the man, man versus the man, man versus, I guess it could just be man versus

[01:46:47] man in, in this case as well.

[01:46:50] Um, but yeah.

[01:46:53] Um, it's a, it's, it's definitely a, uh, uh, it's an interesting look at like, again,

[01:47:00] like what, what can go wrong?

[01:47:01] Um, in like these, these system, these, these systemic, uh, situations of like, you think

[01:47:07] like this corporation spent enough money to like make things safe and like, really they

[01:47:11] didn't, um, because shit went wrong.

[01:47:14] Jurassic park is basically worst case scenario of the series.

[01:47:18] Yeah.

[01:47:19] Yeah.

[01:47:19] Like you'd think after like, cause they had, you know, it's even worse.

[01:47:23] It's like, there was a hurricane before that they knew that, that, that, that affected the

[01:47:28] park when they were first starting to build and stuff like that.

[01:47:30] And they, they didn't think to have, uh, to install further, like, like they're in an

[01:47:36] area that's heavy, that has heavy hurricane situations.

[01:47:39] You're not going to build like, like going to like back up your systems and stuff like that

[01:47:45] to withstand a hurricane.

[01:47:47] Why would you need to do that?

[01:47:49] There's no hurricanes there.

[01:47:50] I know.

[01:47:50] Yeah, exactly.

[01:47:51] It's like, why would I do this?

[01:47:53] Yeah.

[01:47:54] We spared no expense.

[01:47:55] That cuts into our profits, sir.

[01:47:57] Except Hammond's whole fucking motto was we spared no expense.

[01:48:00] Well, yeah, clearly you spare, you spared no expense.

[01:48:03] Literally.

[01:48:05] Yeah.

[01:48:05] You didn't spend, you didn't, you didn't spend it.

[01:48:08] No, you spent no expense on this.

[01:48:11] That's yeah.

[01:48:13] Anyway.

[01:48:13] Yeah.

[01:48:13] Just like, yeah, it's, it's definitely the whole thing of like corporate greed and corporate

[01:48:17] incompetence and, uh, systems breaking down basically.

[01:48:22] Um, and I think that's what I like about these, like this analog horror, like is kind of

[01:48:26] accentuating that of, and showing like also the human element, like with like, cause we

[01:48:29] get to, we get to also hear like the tragedy of like, again, like Marco Gutierrez was in

[01:48:34] the first video was just like, he was just one of the other staff guys that unfortunately

[01:48:37] got killed by the Raptor.

[01:48:38] And then we get this video, this documentary expose a video that's trying to like, um, expose

[01:48:43] InGen for its corruption and for its like paying off people to hush money basically.

[01:48:48] And we see the more human element because like this affected his family because of course,

[01:48:52] cause of course it would.

[01:48:53] Cause like he was basically bringing money in from InGen.

[01:48:56] Like it was good money that he was able to help with his family, help his family with.

[01:48:59] And then he died.

[01:49:02] And you get to hear about how bad-ass apparently he was.

[01:49:05] He was basically at the rock.

[01:49:08] Yeah.

[01:49:08] Some huge, strong guy doesn't take no shit.

[01:49:11] He's like, yeah, I'll do it for the money.

[01:49:12] Oh yeah.

[01:49:12] And then of course he got, and even though he was like bad-ass, he got eaten like just as

[01:49:16] quickly because it was a fucking Raptor.

[01:49:19] Yep.

[01:49:20] It's like Muldoon.

[01:49:21] You'd be as fearless as you want to mundane normal, like human problems until a Raptor's

[01:49:26] staring you in the face.

[01:49:27] Yeah.

[01:49:28] It's, it's like, it's like Muldoon, the, uh, the, the Raptor hunter guy in the, in the,

[01:49:32] in the first movie was like through the whole movie.

[01:49:35] He was like this, like really big Raptor expert.

[01:49:37] Like he knew how dangerous they were.

[01:49:38] He was like always careful about it.

[01:49:39] And then he gets fucking punked by them.

[01:49:42] Like clever girl.

[01:49:44] What's funny is in the, so in the movie he dies in the novel, he survives that and escapes

[01:49:52] the Island with the, with the rest of them.

[01:49:54] Oh, that's cool.

[01:49:56] Yeah.

[01:49:56] He actually, Muldoon actually survives, uh, that, that Raptor attack and, uh, and, and

[01:50:00] gets on the helicopter, uh, in the, realistically, if anyone was supposed to survive Jurassic Park,

[01:50:05] I feel like it would have been him, but he was like one of the first to die, I think.

[01:50:09] Yeah.

[01:50:10] Well, um, he wasn't one of the first.

[01:50:14] Technically Mr. Arnold died.

[01:50:17] Uh, I don't know what, I don't know what Sam, Samuel Jackson's character was thinking

[01:50:20] in that movie.

[01:50:21] She's like, all right, I'm, uh, I'm, I'm just like, uh, uh, the corporate, like, uh, I'm,

[01:50:25] I'm a supervisor at the office.

[01:50:27] I'm just gonna take this, this flashlight, uh, and go to the, uh, it's just a short jog

[01:50:31] away to the, uh, to the, the, the breaker room, uh, bunker.

[01:50:35] I'm just going to go there with the powers off and just like, just a hop, skipping away

[01:50:39] through the jungle.

[01:50:40] That's probably not infested with Raptors.

[01:50:42] Don't worry about it.

[01:50:43] Definitely, probably not safe.

[01:50:45] Don't worry.

[01:50:47] Yeah.

[01:50:48] Um, yeah, like, but I digress again.

[01:50:52] Um, again, I'm showing my nerd about dinosaurs in Jurassic Park.

[01:50:56] Um, yeah.

[01:50:58] Uh, again, I would, I would recommend this one.

[01:51:01] I would recommend both these videos, especially in sequential order.

[01:51:05] Yes.

[01:51:06] Yeah.

[01:51:06] And then, um, you're also, I guess like vocal, you're, you're also, uh, um, uh, yay or nay?

[01:51:14] Eh?

[01:51:16] What was that?

[01:51:17] Kind of like, eh?

[01:51:19] Yeah.

[01:51:19] Sort of like, it's not yay or nay.

[01:51:21] Cause like, with the second set of videos, like, it was really heavy on the static during

[01:51:27] the transitions, which I, you know, I was kind of bugged by.

[01:51:30] Hence why I brought it up a bunch.

[01:51:32] Yeah.

[01:51:32] Story-wise, I liked that there's the focus on the one character's disappearance.

[01:51:37] And like, we get to see the coverup that InGen did on it and learn about, um, a little bit

[01:51:42] about the, uh, the character and stuff.

[01:51:43] And I like that focus.

[01:51:45] Um, but like, I kind of wish that the footage being shown to us was like universally the same

[01:51:53] in all of them.

[01:51:53] Like, I, I understand why it's not.

[01:51:56] Yeah.

[01:51:57] But I kind of wish it was all like done.

[01:52:01] Like the same person did all of the shots, you know?

[01:52:04] So they're all the same.

[01:52:05] So it has like full immersion value.

[01:52:08] The lack of that is what kind of like brought this down a little bit more compared to the

[01:52:13] appetizer that we had, which was like really high immersion.

[01:52:16] Cause it was all done seemingly by the same person.

[01:52:19] Cause it's all the same type of animation and all that.

[01:52:22] But, and I really dug that.

[01:52:24] So like, this is still very good.

[01:52:25] And again, I like the story of that.

[01:52:27] I just kind of wish it wasn't so jumpy.

[01:52:30] And that's why I'm giving a partial.

[01:52:31] Yeah.

[01:52:32] Uh, that is sort of something, again, it's, it's, I guess the trope of analog horror is

[01:52:37] that the, again, they're, they're all like the creators of analog horror tend to be like,

[01:52:40] uh, amateur filmmakers or editors on, and like usually teens and stuff like that.

[01:52:45] Or like young adults, um, that like they have access to the software.

[01:52:50] They have access to the internet worth of, of film, of video footage.

[01:52:54] So, and they have this cool idea, but they don't have like, sometimes they don't have

[01:52:58] the technical prowess to do like a full video themselves from scratch.

[01:53:01] So they compile these things and almost like they sort of almost sometimes come out as like,

[01:53:06] um, like concept pieces, not even like, like, like basically like, here's my idea.

[01:53:12] Here's, here's how, like, here's how I would implement it.

[01:53:15] If I had like a full production, I could do like these, these videos, uh, sequences from

[01:53:19] scratch, but I don't.

[01:53:20] So here's some footage that I've like got borrowed from something else and like mixed in some

[01:53:26] static and some filters to make that, uh, make, try and like, try and hide some of that

[01:53:30] a little bit.

[01:53:32] But yeah, it's, it's, yeah, it's, it's more of, it's an experimental medium, I think.

[01:53:36] Yes.

[01:53:36] And to that like level, like that's great.

[01:53:40] And I love that.

[01:53:40] Like hell half the time when like, I'm doing like the, the few times I do graphic work,

[01:53:46] sorry, like, um, digital effect work or whatever on like doing some crappy Photoshop thing.

[01:53:52] I'm not doing shit from scratch.

[01:53:53] I'm taking something and editing it a lot like this.

[01:53:56] So like, I can't realistically like shit on or nothing.

[01:53:59] And I'm not, it's just like the story being told is great.

[01:54:03] And I like it.

[01:54:04] I just wish it was fully rendered out for the purpose of telling the story that's here.

[01:54:11] Yeah, for sure.

[01:54:12] But I guess I still would.

[01:54:16] It's fine if you don't.

[01:54:17] I mean, yeah, I'm still giving a partial cause it has room to breathe, has room to grow for

[01:54:23] sure.

[01:54:24] All right.

[01:54:25] And again, like this, this last one came out like a month ago.

[01:54:28] So like maybe they are, they, they want to do, uh, do some more stuff.

[01:54:32] Uh, we'll, we'll have to see, we'll have to keep an eye on, uh, on this creator.

[01:54:38] But, uh, I think that we'll do it.

[01:54:40] So, um, so in all, uh, for our appetizer, I think both of us gave a recommendation.

[01:54:45] So full on the appetizer, bro.

[01:54:48] Yeah.

[01:54:48] And then you got the main course.

[01:54:50] It's like, oh, fuck man.

[01:54:52] Yeah.

[01:54:53] Yeah.

[01:54:53] For our main course.

[01:54:54] I, I like, uh, one recommendation and one partial recommendation.

[01:54:59] Um, and, uh, yeah, again, I, we invite you to go check these out and check out other

[01:55:03] dress park analog horror.

[01:55:05] And at some point down the road, we will do more of these.

[01:55:08] Um, we'll, we'll tackle more into the depths that is Jurassic park analog horror and hopefully

[01:55:14] some other analog horror.

[01:55:15] Cause there's analog horse.

[01:55:16] There's it's, there's so much out there that people are doing or are making of analog

[01:55:22] horror stuff.

[01:55:22] Like, yeah.

[01:55:23] Cause you can do it based on literally anything.

[01:55:25] Yeah.

[01:55:26] And I literally, there have been ones that are just like, like I've, I've shared some

[01:55:29] with some other people like, uh, Matt from the ugly and just like, uh, one, what I send

[01:55:34] him one.

[01:55:35] I can't remember what it was exactly, but Oh no, it was Sonic.

[01:55:38] It was Sonic the Hedgehog.

[01:55:40] And, and, uh, his reaction was just cursed.

[01:55:43] Yeah.

[01:55:44] Fair.

[01:55:45] Yeah.

[01:55:45] Honest, honest opinion about that.

[01:55:47] Just like, um, but yeah, uh, I guess, um, that'll do it for this week's episode.

[01:55:53] So if you like what you heard or if you didn't leave us a comment in the comment section below,

[01:55:57] this gets posted.

[01:55:58] Uh, we're all on Twitter.

[01:56:00] Gamer in yellow is at the gamer in yellow, but without that W cause his name is very long.

[01:56:04] Yeah.

[01:56:05] Um, and I'm at review cultist.

[01:56:07] Uh, I'm also at blue sky as review cultist.

[01:56:10] So you can send me messages there.

[01:56:12] Uh, you can also send us emails at al dente rigamortis at gmail.com.

[01:56:15] That's a L D E N T E R I G A M O R T I S at gmail.com.

[01:56:20] Where you can also leave us suggestions for other creepypastas, SCPs, spooky things.

[01:56:25] You creep it, we'll peep it.

[01:56:27] Yeah.

[01:56:28] And if you'd like to help support our show financially, you can go to Patreon.

[01:56:31] Uh, we have special episodes, early access and extra content there to all our patrons.

[01:56:36] Thank you immensely.

[01:56:37] You're helping keep those hosting bills at bay.

[01:56:39] And we honestly very much appreciate that.

[01:56:42] Yes.

[01:56:42] Um, and to our listeners and the filmmakers and creators of these videos and, and the series.

[01:56:49] Thank you immensely.

[01:56:50] Cause without your listenership, it would be like screaming into the void and without your

[01:56:54] creepy, spooky videos and an analog horror that you post online for people to watch and

[01:57:01] enjoying get creeped out by.

[01:57:03] We really wouldn't have much of a show cause we'd have enough to talk about.

[01:57:06] Thank you.

[01:57:07] Until next time I have been your host review cultist.

[01:57:10] The gamer in yellow.

[01:57:11] And this has been al dente rigor mortis.

[01:57:14] Sleep well.

[01:57:16] Did you know that in star Wars, Luke, he's like the son of, of death, Vader.

[01:58:08] What?

[01:58:09] Did you know that?

[01:58:09] Reelers?

[01:58:10] Yeah.

[01:58:12] I thought it was impossible.

[01:58:14] Did you know the re there's actually a hint that Vader was Luke's father before, right

[01:58:20] from the, from the get-go with his name because Vader in Swedish is father.

[01:58:27] Wait, really?

[01:58:28] Uh, uh, actually I'm pretty sure it's, it's either sweet.

[01:58:31] Is it Sweden or, uh, Switzerland?

[01:58:35] It might be Switzerland.

[01:58:36] Hang on.

[01:58:36] Let me, it's Swiss.

[01:58:37] I know it's one of those.

[01:58:38] You're not pulling my leg, are you?

[01:58:40] I'm not.

[01:58:40] Hang on.

[01:58:41] Uh, Vader, uh, etymology.

[01:58:43] Yeah.

[01:58:44] Vader does mean father in Dutch.

[01:58:47] Um, though in, in, uh, though it's pronounced differently than what it sounds like.

[01:58:51] The way it's spelled is basically Darth Vader, but the way it's pronounced in, in Dutch,

[01:58:56] it's fodder.

[01:58:57] Wow.

[01:58:58] And, uh, in, uh, uh, Vader, Vader is also the German word for father.

[01:59:04] Darth doesn't mean anything in Dutch or German, although it does of course sound like dark,

[01:59:10] hence dark father.

[01:59:11] Dark father.

[01:59:13] Yeah.

[01:59:13] That's, that's why, and that's why Darth Vader was called, was, was, was named that.

[01:59:18] Wow.

[01:59:18] Wow.

[01:59:19] This isn't a star Wars episode, by the way.

[01:59:23] It's really not, but that was really interesting.

[01:59:28] How often are we going to talk about star Wars on our creepypasta podcast?

[01:59:32] I mean, I'm sure there's a creepypasta out there about the Ewoks and how fucking terrifying

[01:59:37] they would be to the, to the storm troopers that were stuck on Endor.

[01:59:41] Probably right.

[01:59:42] I've seen a ton of like dark theories about like what, like those cute little Ewoks, they

[01:59:46] definitely ate human flesh.

[01:59:49] They like the, those, those celebrations, they were definitely cooking, uh, uh, stormtroopers

[01:59:55] up and eating them in their celebrations.

[01:59:59] Yeah.

[02:00:00] Using their helmets for drums.

[02:00:02] Yeah.

[02:00:02] That wasn't the only thing they were using from the bodies.

[02:00:04] Probably also used for like soup.

[02:00:07] Stuff like that.

[02:00:09] Yep.

[02:00:09] Made from their brains.

[02:00:11] But we should move on from this back to Drew from one Spielberg adjacent film to another

[02:00:17] back to Drew.

[02:00:18] Yeah.

[02:00:18] See that there's the connecting tissues there.

[02:00:20] Yeah.

[02:00:20] Although Spielberg technically didn't do it.

[02:00:22] Have anything.

[02:00:23] Okay.

[02:00:23] Yeah.

[02:00:24] Whatever.

[02:00:24] I'll stop.

[02:00:25] This is good enough.

[02:00:26] Yeah.

[02:00:26] Sure.

[02:00:26] Sounds good enough.

[02:00:27] That's what I love.